Charles River Editors

It is something of a cliché to say that an actor’s life was like a movie he or she might have starred in, but in the case of Myrna Loy, the cliché is true. It is easy to picture her as a little girl, riding the range with her rancher father, sitting around the table and participating charmingly in family discussions of current events. It is not hard to imagine the camera panning to her first and then second visits to Hollywood, her backlot tour, and starry-eyed decision to become an actress. There would have to be some drama, which the story of her father’s untimely death would provide, along with some sort of deathbed promise made to him to care for the rest of the family. Her mother would be brave but resolute as she moved her young family to California. The lighting on set would brighten and the tempo of the background would pick up as she walked down the Los Angeles streets. Then, her big break would come. The camera would show her first comical meeting with William Powell and then a spinning scene of ticket after ticket being sold to their new picture, The Thin Man. 

While older silent film stars like Charlie Chaplin and Buster Keaton reached the peak of Hollywood, some actors born near the beginning of the 20th century were ready to capitalize. Though actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. One thing that helped Powell’s career along in the old days when Hollywood would only cast white actors in major roles, no matter what the nationality of the character was supposed to be, were his dark good looks.