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Entre em um mundo infinito de histórias

Ouça e leia

Kirmen Uribe

On a transatlantic flight between Bilbao and New York City, a fictional version of Kirmen Uribe recalls three generations of family history—the inspiration for the novel he wants to write—and ponders how the sea has shaped their stories. 

The day he knew he was going to die, our narrator’s grandfather took his daughter-in-law to the Fine Arts Museum in Bilbao, the de facto capital of the Basque region of northern Spain, to show her a painting with ties to their family. Years later, her son Kirmen traces those ties back through the decades, knotting together moments from early twentieth-century art history with the stories of his ancestors’ fishing adventures—and tragedies—in the North Atlantic Ocean. Elegant, fluid storytelling is punctuated by scenes from Kirmen’s flight, from security line to airport bar to jet cabin, and reflections on the creative writing process. 

This original and compelling novel earned debut author Kirmen Uribe the prestigious National Prize for Literature in Spain in 2009. Exquisitely translated from Basque to English by Elizabeth Macklin, Bilbao–New York–Bilbao skillfully captures the intersections of many journeys: past and present, physical and artistic, complete and still unfolding.

Bilbao–New York–Bilbao is the second book commissioned for the Spatial Species series, edited by Youmna Chlala and Ken Chen. The series investigates the ways we activate space through language. In the tradition of Georges Perec’s An Attempt at Exhausting a Place in Paris, Spatial Species titles are pocket-sized editions, each keenly focused on place. Instead of tourist spots and public squares, we encounter unmarked, noncanonical spaces: edges, alleyways, diasporic traces. Such intimate journeying requires experiments in language and genre, moving travelogue, fiction, or memoir into something closer to eating, drinking, and dreaming.

Coffee House Press

Spatial Species

Bilbao–New York–Bilbao

Elizabeth Macklin

Aisha Sabatini Sloan

The first title in Coffee House’s new Spatial Species series in collaboration with Youmna Chlala and Ken Chen. Next title will be N by Azareen Van Der Vliet Oloomi, in Spring 2022. 
Art book feel, with french flaps, unique trim size, and distinctive branding across the series.
A personal, artistic mediation on Aisha’s experience as one of the only Black women in a Republican-dominated area during the Trump presidency that sits thoughtfully adjacent to conversations around the problem of over-policing BIPOC individuals in outdoor spaces.
Deeply interdisciplinary: brings dozens of painters, philosophers, musicians, writers, performers, travelers into conversation with each other.
Riveting, sparkling book-length essay that’s easy to read in one sitting.
Dreaming of Ramadi in Detroit won the 2018 Firecracker Award for Creative Nonfiction and picked up praise from Kiese Laymon, Maggie Nelson, and Margo Jefferson. She’s published essays in The Paris Review, Guernica, Catapult, and Literary Hub. Aisha's father is revered photographer Lester Sloan; she has a book about his work coming from MacSweeney’s in August 2021.

Borealis


The Spatial Species series, edited by Youmna Chlala and Ken Chen, investigates the ways we activate space through language. In the tradition of Georges Perec’s An Attempt at Exhausting a Place in Paris, Spatial Species titles are pocket-sized editions, each keenly focused on place. Instead of tourist spots and public squares, we encounter unmarked, enigmatic spaces, edges and diasporic traces. Such intimate journeying requires experiments in language and genre, moving travelogue, fiction, or memoir into something closer to eating, drinking, and dreaming.
