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Descubre un mundo infinito de historias

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iHeartPodcasts and Pushkin Industries

McCartney: A Life in Lyrics offers listeners the opportunity to sit in on conversations between Paul McCartney and poet Paul Muldoon dissecting the people, experiences, and art that inspired McCartney’s songwriting. These conversations were held during the past several years as the two collaborated on the award winning book, “The Lyrics: 1965 to Present.” Over two seasons and 24 episodes of “McCartney: A Life in Lyrics”, you’ll hear a combination master class, memoir, and improvised journey with one of the most beloved figures in popular music. Each episode focuses on one song from McCartney’s iconic catalog – spanning early Beatles through his solo work. Season 2 premieres on February 7th.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

Cover Portrait © 1967 Paul McCartney / Photographer: Linda McCartney

McCartney: A Life in Lyrics

Coming at the end of an intensely creative period, The Beatles’ Abbey Road features some of the most adventurous compositions in the quartet’s catalog. It's fitting then that the album concludes with one of the most inventive and famous medley committed to record. To close season two of “A Life in Lyrics” McCartney discusses The Beatles’ send off to recording: “Golden Slumbers”, “Carry That Weight” and “The End.”
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

The End

“Michelle” from 1965’s Rubber Soul started as a kind of light-hearted party piece. But in McCartney’s quest to turn it into a legitimate Beatles song, he went on a bit of a journey to sound not only like a believable French chanteur but also to expand his approach to bass playing, taking inspiration from Motown’s James Jamerson.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Michelle

This episode deals with themes and events surrounding the Northern Ireland conflict. As such, this episode may be traumatic or emotional for some listeners.
 
Paul McCartney doesn’t view himself as a writer of protest songs. But the events of Bloody Sunday sufficiently moved him to use his voice. Rush released as Wings first single in 1972, “Give Ireland Back To The Irish” was banned in Britain by the BBC and in the US radio avoided playing it. However, through any criticism, McCartney stood steadfastly behind the release which ultimately reached number one in Ireland.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Give Ireland Back to the Irish

The breadth of Paul McCartney’s influences is astounding. One of the many surprising places McCartney found inspiration was in the music of his parent’s generation. For 1966's “Here, There and Everywhere”, he found himself looking to write something akin to Fred Astaire’s 1935 classic “Cheek to Cheek.” In the process, McCartney wrote what might be his favorite song in his catalog.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Here, There and Everywhere

In 1968 the longest song to ever reach number one on the Billboard charts was Paul McCartney’s epic “Hey Jude”—clocking in at seven minutes and twelve seconds. The song was written to soothe John Lennon’s son Julian amid his parent’s divorce. But as with all great works, it has come to mean something a little different to everyone who hears it.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Hey Jude

Paul McCartney and John Lennon had a knack for finishing each other's songs. They collaborated by lending ideas for verses, choruses and middle eights many times over the course of their partnership. 1967’s “A Day in the Life” is one of the most prominent examples of McCartney and Lennon’s collaboration. What started as a Lennon song, once worked on with McCartney, became a truly collaborative piece—and a standout in The Beatles’ catalog.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

A Day in the Life

From his earliest days as a songwriter, Paul McCartney was interested in love songs. But by the time of Wing’s 1976 album “At the Speed of Sound” McCartney had become tired of critics suggesting that was all he wrote. And so he wrote the album’s lead single, a defiant anthem about the importance of love in our lives, and named it “Silly Love Songs.” Through discussing this song with Paul Muldoon, McCartney also touches on some of the other love songs in his catalogue: “Can’t Buy Me Love,” “All My Loving,” “I Will” and one he wrote for his wife, Nancy —”My Valentine.”
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Silly Love Songs

“Drink to me, drink to my health” were among the last words spoken by the great Spanish artist Pablo Picasso. On somewhat of a lark, Dustin Hoffman challenged Paul McCartney to use those words to write a song – on the spot. McCartney indulged Hoffman and, without hesitation, an early version of “Picasso’s Last Words (Drink to Me)” poured out of him.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Picasso’s Last Words (Drink to Me)

The Beatles’ songbook became standard repertoire for artists to perform almost as quickly as they kicked off “the British invasion.” But one was covered more than all the rest: Yesterday.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Yesterday

One day in the car, Paul McCartney heard a BBC production of the absurdist play “Ubu Cocu” by french writer Alfred Jarry. Taken by the rebelliousness of the radio play, McCartney wrote a sweet-sounding tune about a murderous medical student that seemingly lives in the same universe as Ubu: “Maxwell’s Silver Hammer.”
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Maxwell’s Silver Hammer

James Bond themes were handled by soulful or sultry vocalists in the decade since 1963’s “From Russia With Love.” Shirley Bassey, Tom Jones and even Louis Armstrong had taken turns singing themes and secondary themes for the films. The Broccoli family who produces the James Bond franchise expected nothing less when they asked Paul McCartney to write the theme for “Live and Let Die.” What they didn’t expect was for him to perform it too. And for the song—1973’s “Live and Let Die”—to become the most popular theme of the series thus far.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Live and Let Die

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