Ep. 368: I Want Work-Life Balance. Am I Doomed to Mediocrity?

A 22-year-old made a splash recently when he published a Wall Street Journal op-ed claiming that work-life balance makes you mediocre. He went on to brag about how sleeping less than 4 hours a night and gaining 80 pounds helped him become a millionaire. In this episode, Cal wades into the furious debate this article sparked. He argues that once you look past the author’s dorm bro bravado, the kid does actually ask a good question. It’s just that his answers are lacking. Cal then tackles listener questions and reviews the books he read in August.

Below are the questions covered in today's episode (with their timestamps). Get your questions answered by Cal! Here’s the link: bit.ly/3U3sTvo

Video from today’s episode: youtube.com/calnewportmedia

Deep Dive: I Want Work-Life Balance. Am I Doomed to Mediocrity? [1:06]

Is it possible to stay focused when having to check my phone for text messages? [42:20]

When did you switch back to your teaching schedule to your summer schedule? [44:05]

How has your deep life evolved since Episode 1? [49:22]

How can I stop obsessively checking my work email? [53:47]

Can you summarize how values and strategic planning documents, birthday projects and lifestyle centric planning combine? [58:14]

CASE STUDY: Organizing household admin [1:01:44]

CALL: How to tame Trello cards [1:06:39]

AUGUST BOOKS: The 5 books Cal read in August 2025 [1:13:26]

Boundless Realm (Foxx Note) Collisions (Alec Nevala-Lee) Before the Birds Sang Words (Ken Bruce) Desperation Reef (T Jefferson Parker) Shift (Hugh Howey)

Links:

Buy Cal’s latest book, “Slow Productivity” at calnewport.com/slow Get a signed copy of Cal’s “Slow Productivity” at peoplesbooktakoma.com/event/cal-newport/ Cal’s monthly book directory: bramses.notion.site/059db2641def4a88988b4d2cee4657ba? https://www.youtube.com/watch?v=VX1XHMlX1J0

Thanks to our Sponsors:

ridge.com (use code “Cal”) drinklmnt.com/deep shopify.com/deep calderalab.com/deep

Thanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.

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