Power plays and family dynamics

Power plays and family dynamics

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496 of 624
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42min
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In her latest novel, The Unfolding, the prize-winning AM Homes has created a compelling central character: a larger than life American patriot and family man. Undone by Obama’s victory in the 2008 presidential election, he collects together a band of like-minded men to spread their version of the American dream, and to reclaim it by force if necessary. AM Homes tells Tom Sutcliffe her Big Guy’s fight to retain his influence is confounded by his failure to keep his own family from fracturing.

Power, reputation and family dynamics are also central to Ibsen’s play John Gabriel Borkman, now playing at the Bridge Theatre, directed by Nick Hytner, in a new version by Lucinda Coxon. Borkman was once a great man, who put wealth and influence ahead of his family and personal life. But now, disgraced and destitute after a financial scandal, he sits alone in an upstairs room obsessively planning his comeback.

Families and dynastic power is at the heart of Simon Sebag Montefiore’s history of The World: A Family History Of Humanity. The grand themes of war, migration, plague, religion and technology are told through the stories of the world’s great dynasties as they battle to stay relevant and retain power through the ages.

Producer: Katy Hickman

Image credit: Photograph - Front l-r Simon Russell Beale (John Gabriel Borkman) and Sebastian De Souza (Erhart Borkman), photo by Manuel Harlan


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