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الاستماع والقراءة

Jon Bilbao

A Spanish-gothic version of a Patricia Highsmith novel

Jon and Katharina spend the winter on the Cantabrian coast, in Jon’s large childhood home, trying to fix their relationship. One night, strange lights appear in the sky, leading to an influx of visitors camping out on the beach in hopes of extraterrestrial contact. At the same time, the couple's precarious routine is disturbed by the unexpected arrival of Markel, Jon's distant cousin, who had moved to Chile as a child and is now traveling throughout Europe with the attractive and silent Virginia. The awkwardness of the situation is heightened by the fact that the cousins ​​can't remember ever meeting, leading Jon to doubt that Markel is who he says he is. Meanwhile, Virginia's presence becomes more and more threatening and, little by little, these strangers begin to take over the house . . . A deliciously odd novella, The Strangers introduces English readers to a singular talent.

Dalkey Archive Press

Spanish Literature

The Strangers

Katie Whittemore

Luis Goytisolo

This potent drama, a collected volume of Goytisolo's famed tetralogy following a Catalan family, is widely regarded as one of the most profound inquiries ever undertaken on literary creation. 

Antagony surveys the social history of Barcelona and Catalonia, primarily since the end of the Spanish Civil War in 1939. The work, originally published as a tetralogy and now collected into one volume, follows the youth and education of Raúl Ferrer Gaminde, son of a well-connected, middle-class Catalan family that embraces Franco and Spanish Nationalism. Its potent drama plays out through Goytisolo’s crisp, forceful presentation of youth, humor, optimism, rebellion, violence, sexual awakening, indulgence, punishment, and the realization of one’s artistic vocation. Alternately modern and historical, Antagony displays intelligent realism, emotional gravity, profane beauty, brute vulgarity, sweeping rhetorical scope, and seamless transitions through long, streaming passages of narrative and introspection.

Antagony

Brendan Riley

A. G. Porta

Hailed by Spain's Revista Quimera as one of the top ten Spanish-language novels of the decade, alongside Bolaño's 2666, Vila-Matas's Bartleby & Co., and Marías's Your Face Tomorrow, the many layers of The No World Concerto center around an old screenwriter, holed up in a shabby hotel in order to write a screenplay about his lover, a young piano prodigy who wants in turn to give up music and become a writer, and believes she may be in contact with creatures from another dimension. Shifting effortlessly between realities, The No World Concerto is a delightful and prismatic novel, and the first of A. G. Porta's books to appear in English, finally joining those of his early writing partner Roberto Bolaño.

No World Concerto

Rhett McNeil

Darren Koolman

Julián Ríos

In the late '60s, Julián Ríos began work on what would have been his very first novel, but fearing that it wouldn't pass the stringent Spanish censorship under Franco, decided not to submit the completed book to publishers. Soon distracted by what would be his magnum opus—the Larva series—the manuscript was set aside and forgotten, until the author found and dusted it off almost fifty years later. 

Quite unlike his later postmodernist work, the short and bitter Procession of Shadows is filled with stories of love, war, and vengeance, focusing on the tiny, remote village of Tamoga—a place where vendettas are passed down from generation to generation, and where violence has left its traces in every corner. A Winesburg, Ohio for the end times, Procession of Shadows shows us a very different side of the usually playful Ríos: dark, direct, and pitiless.

Procession of Shadows: The Novel of Tamoga

Nick Caistor

Juan Goytisolo

In Exiled from Almost Everywhere, Juan Goytisolo's perverse mutant protagonist—the Parisian "Monster of Le Sentier"—is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors. His curiosity piqued, he uses the screens at hand to explore the multiple ways war and terrorism are hyped in the Hereafter of his old life where he once happily cruised bathrooms and accosted children. 

Ricocheting from life to death and back again, meeting various colorful demagogues along the way—the imam "Alice, " a pedophile Monsignor, and a Rastafarian rabbi—our "Monster" revisits seedy democracies that are a welter of shopping-cities and righteous violence voted in by an eternally duped citizenry and defended by the infamous erogenous bomb. At once fantastical and cruelly real, Exiled from Almost Everywhere hurtles the reader through our troubled times in a Swiftian series of grisly cartoon screenshots.

Exiled from Almost Everywhere

Peter Bush