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The mid-19th century marked a turning point in the history of art, as traditional academic painting began to face challenges from a new wave of artists eager to break away from rigid conventions. This period, spanning from 1851 to 1870, set the stage for the revolutionary artistic movements that would define modern art in the decades to come. With the rise of industrialization, urbanization, and scientific advancements, artists were compelled to rethink the role of art in a rapidly changing world.
One of the most significant factors shaping modern art during this era was the Industrial Revolution. As cities expanded and technology advanced, the relationship between artists and their surroundings evolved. The once-dominant themes of history painting and religious iconography began to lose their grip on the art world, making way for more personal, observational, and socially conscious subjects. The advent of photography also played a crucial role in redefining artistic practices. With the camera capable of capturing realistic details more accurately than any painter, artists were no longer bound to the strict pursuit of realism. Instead, they began to explore new ways of depicting reality, leading to an emphasis on light, color, and emotion.
At the same time, the Paris Salon—a prestigious annual art exhibition—continued to uphold the academic traditions of the École des Beaux-Arts, favoring grand historical and mythological compositions. However, a growing dissatisfaction with these rigid standards led to alternative exhibitions that showcased more experimental works. Artists like Gustave Courbet, who would later become the father of Realism, openly rejected the idealized visions of academic painting. Courbet’s paintings, such as The Stone Breakers (1849) and A Burial at Ornans (1849-50), depicted everyday laborers and ordinary life with an unfiltered, almost defiant honesty that shocked the art establishment.
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Audiobook: 11 February 2025
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