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Michael Chanan

For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media.

Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code.

Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.

Pluto Press

Marxism and Culture

From Printing to Streaming: Cultural Production under Capitalism

Today, anti-humanism is a dominant, even definitive, feature of contemporary theory. Setting out to challenge this tendency, editors David Alderson and Kevin Anderson argue that the political moment demands a reappraisal of the humanist tradition.

Humanism, in all its diversity and complexity, may facilitate the renewal of progressive theory through the championing of human subjectivity, agency and freedom. Across four extended essays, David Alderson, Kevin Anderson, Barbara Epstein and Robert Spencer engage critically with the Marxist tradition, recent developments in poststructuralism, postcolonialism and queer theory.

Incorporating an overview of the historical context that resulted in socialist humanism’s eclipse in the 1950s and '60s, and a strident critique of anti-humanism, For Humanism offers a coherent and compelling argument for the rehabilitation of a much maligned tradition.

For Humanism: Explorations in Theory and Politics

Robert T. Tally

Fredric Jameson is the most important Marxist critic in the world today. While consistently operating at the cutting edge of literary and cultural studies, Jameson has remained committed to seemingly old-fashioned philosophical discourses, most notably dialectical criticism and utopian thought. 

In Fredric Jameson: The Project of Dialectical Criticism, Robert Tally surveys Jameson's entire oeuvre, from his early studies of Sartre and formal criticism through his engagements with postmodernism and globalisation to his recent readings of Hegel, Marx and the valences of the dialectic. 

The book is both a comprehensive critical guide to Jameson’s theoretical project and itself a convincing argument for the power of dialectical criticism to understand the world today.

Fredric Jameson: The Project of Dialectical Criticism