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What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.

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Code Switch

Stacey Abrams is one of the most high-profile voting rights activists in the U.S. She says whether we have an actual democracy might literally depend on protecting voting rights in the next election cycle or two. How to prevent that? Keep an eye on the 10 steps from democracy to autocracy.

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Stacey Abrams on how voter suppression threatens democracy

Next Wednesday, the Supreme Court hears a case that could further weaken the Voting Rights Act, which was passed to ensure fair districting and voting practices across different racial groups. Meanwhile, lawmakers across states are taking other paths to limit who can vote, from redrawing districts in order to favor a single party to limiting which government-issued IDs are permitted at the ballot box. And with election day just a few weeks a day, we’re asking, who will be able to vote — and whose votes will really count?

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Voting rights are at risk. Here's why.

Why is Malala Yousafzai so revered in the West while being much less popular in her home country of Pakistan? On this week's Code Switch, we unpack how Pakistani skepticism of Malala extends from a suspicion of U.S. and other foreign interests.

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Why Malala Yousafzai is a hero in the West but not back home

This week on the pod: author Edgar Gomez talks about what it was like growing up poor, queer, and Nicaraguan Puerto Rican in Florida. His new memoir, Alligator Tears, chronicles his dreams of making it big, the various mini-scams he got into along the way, and his realization that a rich life might not ever come with bundles of money.

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Is the American dream a scam?

This week: why the term "genocide" matters when talking about Israel's actions against Palestinians in Gaza. On Tuesday, a UN commission said it found that Israel has committed genocide in the Gaza Strip, as more people, groups and countries are alleging the same. We break down what the word genocide means on both a personal and geopolitical level, why it’s understood very differently by different people, and what that designation requires of the rest of the world.

Note: A previous version of this episode incorrectly stated that Raphael Lemkin coined the term “genocide” to describe the Holocaust. He actually coined it to describe numerous other events, including Polish pogroms and the extermination of Armenians during the Ottoman Empire. It also incorrectly stated that the Genocide Convention was a part of the Geneva Conventions — those were separate treaties.

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The stakes of calling Israel's actions in Gaza a genocide

Calls to ban “third world immigration” in favor of “remigration” -- or, mass deportation -- went from fringe ideas in far right circles to ones pedaled by mainstream conservatives. Now, those ideas are mirrored in government policy. On this week's Code Switch, we track how these ideas got their start among white nationalists and neo-Nazis in the U.S. and Europe and found their way into the language of popular right-wing influencers and Trump administration advisers. Note: This episode makes references to Charlie Kirk, and it was reported and recorded before he was shot in Utah.

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How calls for mass deportations went mainstream

This week, we're bringing you a special episode from our play cousins over at the podcast "Our Ancestors Were Messy." We hear about how Zora Neale Hurston and Langston Hughes went from being best friends to not friends.

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Digging into our ancestors' drama

This week, we're looking into the history of public swimming pools in the U.S., and the legacy that pool segregation has had on swimming skills in the country today. Earlier this year, Jasmine Romero found herself surrounded by four- and five-year-olds, ready to take her first ever swim class. Jasmine, who is in her mid-thirties, has had a fear of swimming all her life. It's a fear that was passed down from her mother, and spread to all of her sisters, too. But the Romero family isn't alone. People of color have long been afraid of the water — and with good reason.

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How racism kept Americans out of pools

On August 11, President Trump announced his intention to "rescue" the nation's capital. A central feature of his plan involved using federal officials to remove people experiencing homelessness from the city — people that he listed alongside "violent gangs, bloodthirsty criminals, roving mobs of wild youth, and drugged out maniacs." On this episode, we're diving into what it means to criminalize homelessness, what it looks like when police officers are used to solve social problems, and what this D.C. takeover might portend for the rest of the country.

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How Trump's D.C. takeover criminalizes homelessness

Mo Amer is the creator and star of the hit Netflix comedy series Mo. It's a first-of-its kind Palestinian-American sitcom with a fraught plot line about the American immigration system and the hope to return, at least for a visit, to his family's homeland. We talk to Mo Amer what it’s like to make a show so centered on the real facts of his own life, and to be thrust into the role of spokesperson for Palestinian-Americans at this particular moment.

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Statelessness, but make it funny

It's been more than ten months since devastating violence began unfolding in Israel and Gaza. And in the midst of all the death, so many people are trying to better understand what's going on in that region, and how the United States is implicated in it. So on this episode, we're looking back to the writing of James Baldwin, whose views on the country transformed significantly over the course of his life. His thoughts offer some ideas about how to grapple with trauma, and how to bridge the gap between places and ideas that, on their surface, might seem oceans apart.

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What James Baldwin can teach us about Israel, and ourselves

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