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BBC Radio 4


Popular culture, poetry, music and visual arts and the roles they play in our society.


In Our Time: Culture

Melvyn Bragg and guests discuss one of the greatest romantic poets in Persian literature. Nizami Ganjavi (c1141–1209) is was born in the city of Ganja in what is now Azerbaijan and his popularity soon spread throughout the Persian-speaking lands and beyond. Nizami is best known for his Khamsa, a set of five epic poems that contains a famous retelling of the tragic love story of King Khosrow II (c570-628) and the Christian princess Shirin (unknown-628) and the legend of Layla and Majnun. Not only did he write romances: his poetry also displays a dazzling knowledge of philosophy, astronomy, botany and the life of Alexander the Great.

With 

Christine van Ruymbeke
Professor of Persian Literature and Culture at the University of Cambridge

Narguess Farzad
Senior Lecturer in Persian Studies at SOAS, University of London

And

Dominic Parviz Brookshaw
Professor of Persian Literature and Iranian Culture at the University of Oxford

Producer: Simon Tillotson

Reading list:

Laurence Binyon, The Poems of Nizami (The Studio Limited, 1928)

Barbara Brend, Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library (Gingko, 2020)

Barbara Brend, The Emperor Akbar’s Khamsa of Nizami (British Library, 1995)

J-C. Burgel and C. van Ruymbeke, A Key to the Treasure of the Hakim: Artistic and Humanistic Aspects of Nizami Ganjavi’s Khamsa (Leiden University Press, 2011)

Nizami Ganjavi (trans. P.J. Chelkowski), Mirror of the Invisible World: Tales from the Khamseh of Nizami (Metropolitan Museum of Art, 1975)

Nizami Ganjavi (trans. Dick Davis), Layli and Majnun (Penguin Books, 2021)

Nizami Ganjavi (trans. Rudolf Gelpke), The Story of Layla and Majnun (first published 1966: Omega Publications, 1997)

Nizami Ganjavi (trans. Rudolf Gelpke), The Story of the Seven Princesses (Bruno Cassirer Ltd, 1976)

Nizami Ganjavi (trans. Julie Scott Meisami, The Haft Paykar: A Medieval Persian Romance (Oxford University Press, 1995)

Nizami Ganjavi (trans. Colin Turner), Layla and Majnun (Blake Publishing, 1997)
 
Dominic Parviz Brookshaw, Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth-Century Iran (Bloomsbury, 2019)

Julie Scott Meisami, Medieval Persian Court Poetry (Princeton University Press, 2014)

Asghar Seyed-Gohrab, Layli and Majnun: Love, Madness and Mystic Longing in Nizami’s Epic Romance (Brill, 2003)

Kamran Talattof, Jerome W. Clinton, and K. Allin Luther, The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric (Palgrave, 2000)

C. van Ruymbeke, Science and Poetry in Medieval Persia: The Botany of Nizami's Khamsa (Cambridge University Press, 2007) 

In Our Time is a BBC Studios Audio Production

Nizami Ganjavi

Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.

With

Judith Mossman
Professor Emerita of Classics at Coventry University

Andrew Erskine
Professor of Ancient History at the University of Edinburgh

And 

Paul Cartledge
AG Leventis Senior Research Fellow of Clare College, University of Cambridge

Producer: Simon Tillotson

Reading list:

Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)

Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6

Raphaëla Dubreuil, Theater and Politics in Plutarch’s Parallel Lives (Brill, 2023)

Tim Duff, Plutarch’s Lives: Exploring Virtue and Vice (Oxford University Press, 1999)

Noreen Humble (ed.), Plutarch’s Lives: Parallelism and Purpose (Classical Press of Wales, 2010)

Robert Lamberton, Plutarch (Yale University Press, 2002)

Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)

Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)

Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) 

Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) 

Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)

Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) 

Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) 

Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)

Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) 

Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)

Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)

Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)

Geert Roskam, Plutarch (Cambridge University Press, 2021)

D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)

Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)

Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)

In Our Time is a BBC Studios Audio Production

Plutarch's Parallel Lives

Melvyn Bragg and guests discuss eighteenth century 'vase-mania'. In the second half of the century, inspired by archaeological discoveries, the Grand Tour and the founding of the British Museum, parts of the British public developed a huge enthusiasm for vases modelled on the ancient versions recently dug up in Greece. This enthusiasm amounted to a kind of ‘vase-mania’. Initially acquired by the aristocracy, Josiah Wedgwood made these vases commercially available to an emerging aspiring middle class eager to display a piece of the Classical past in their drawing rooms. In the midst of a rapidly changing Britain, these vases came to symbolise the birth of European Civilisation, the epitome of good taste and the timelessness that would later be celebrated by John Keats in his Ode on a Grecian Urn.

With

Jenny Uglow
Writer and Biographer 

Rosemary Sweet
Professor of Urban History at the University of Leicester

And

Caroline McCaffrey-Howarth
Lecturer in the History of Art at the University of Edinburgh

Producer: Eliane Glaser

Reading list:

Viccy Coltman, Fabricating the Antique: Neoclassicism in Britain 1760–1800 (University of Chicago Press, 2006)

David Constantine, Fields of Fire: A Life of Sir William Hamilton (Phoenix, 2002)

Tristram Hunt, The Radical Potter: Josiah Wedgwood and the Transformation of Britain (Allen Lane, 2021)

Ian Jenkins and Kim Sloan (eds), Vases and Volcanoes: Sir William Hamilton and his Collection (British Museum Press, 1996)

Berg Maxine, Luxury and Pleasure in Eighteenth-Century Britain (Oxford University Press, 2005)

Iris Moon, Melancholy Wedgwood (MIT Press, 2024)

Rosemary Sweet, Grand Tour: The British in Italy, c.1690–1820 (Cambridge University Press, 2012)

Jenny Uglow, The Lunar Men: The Friends who Made the Future (Faber and Faber, 2003)

In Our Time is a BBC Studios Audio production

Vase-mania

Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes.

With: 

Frances Sands, the Curator of Drawings and Books at Sir John Soane’s Museum

Frank Salmon, Associate Professor of the History of Art at the University of Cambridge and Director of the Ax:son Johnson Centre for the Study of Classical Architecture

And 

Gillian Darley, historian and author of Soane's biography.

Producer: Eliane Glaser
In Our time is a BBC Studios Audio production.

Reading list:

Barry Bergdoll, European Architecture 1750-1890 (Oxford University Press, 2000)

Bruce Boucher, John Soane's Cabinet of Curiosities: Reflections on an Architect and His Collection (Yale University Press, 2024)

Oliver Bradbury, Sir John Soane’s Influence on Architecture from 1791: An Enduring Legacy (Routledge, 2015)

Gillian Darley, John Soane: An Accidental Romantic (Yale University Press, 1999)

Ptolemy Dean, Sir John Soane and the Country Estate (Ashgate, 1999)

Ptolemy Dean, Sir John Soane and London (Lund Humphries, 2006)

Helen Dorey, John Soane and J.M.W. Turner: Illuminating a Friendship (Sir John Soane’s Museum, 2007)

Tim Knox, Sir John Soane’s Museum (Merrell, 2015)

Brian Lukacher, Joseph Gandy: An Architectural Visionary in Georgian England (Thames and Hudson, 2006)

Susan Palmer, At Home with the Soanes: Upstairs, Downstairs in 19th Century London (Pimpernel Press, 2015)

Frances Sands, Architectural Drawings: Hidden Masterpieces at Sir John Soane’s Museum (Batsford, 2021)

Sir John Soane’s Museum, A Complete Description (Sir John Soane’s Museum, 2018)

Mary Ann Stevens and Margaret Richardson (eds.), John Soane Architect: Master of Space and Light (Royal Academy Publications, 1999)

John Summerson, Architecture in Britain 1530-1830 (9th edition, Yale University Press, 1993)

A.A. Tait, Robert Adam: Drawings and Imagination (Cambridge University Press, 1993) 

John H. Taylor, Sir John Soane’s Greatest Treasure: The Sarcophagus of Seti I (Pimpernel Press, 2017)

David Watkin, Sir John Soane: Enlightenment Thought and the Royal Academy Lectures (Cambridge University Press, 1996)

David Watkin, Sir John Soane: The Royal Academy Lectures (Cambridge University Press, 2000)

John Wilton-Ely, Piranesi, Paestum & Soane (Prestel, 2013)

Sir John Soane

Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University; Juliette Wood, Associate Lecturer in the Department of Welsh, Cardiff University and Director of the Folklore Society

The Fisher King

Melvyn Bragg and guests discuss the coterie of brilliant thinkers gathered in 16th century Prague by the melancholic emperor Rudolph II. In 1606 the Archdukes of Vienna declared: “His majesty is interested only in wizards, alchemists, Kabbalists and the like, sparing no expense to find all kinds of treasures, learn secrets and use scandalous ways of harming his enemies…He also has a whole library of magic books. He strives all the time to eliminate God completely so that he may in future serve a different master.”The subject of this coruscating attack was the Holy Roman Emperor, Rudolf II, and his court at Prague. Rudolph had turned Prague into a collector’s cabinet for the wonders and curiosities of the age – the great paintings of Northern Italy were carried to him over the Alps, intricate automatons constructed to serve drinks, maps and models of the heavens were unwound and engineered as the magnificent city of Prague itself was rebuilt in the image of its dark and thoughtful patron in chief. But Rudolf’s greatest possessions were people - the astronomers Johannes Kepler and Tycho Brahe, the magus John Dee and the philosopher Giordano Bruno had all found their way to his city. Far from the devilish inquisitor of the archdukes’ imaginations, Rudolf patronised a powerhouse of Renaissance ideas. With Peter Forshaw, Postdoctoral Fellow at Birkbeck, University of London and an Honorary Fellow of the University of Exeter; Howard Hotson, Lecturer in Modern History at the University of Oxford; Adam Mosley, Lecturer in the Department of History at the University of Wales, Swansea.

Rudolph II

Melvyn Bragg and guests discuss King Lear. Around the turn of 1606, a group of London theatre-goers braved the plague to take in a new play by the well-known impresario, Mr William Shakespeare. Packed into the Globe Theatre, they were treated to a tale of violence, hatred and betrayal so upsetting that it thereafter languished among Shakespeare’s less popular plays.The story of Lear – of a man who divides up his property and loses the love of a daughter - is an ancient and ultimately happy one. But in the hands of William Shakespeare it became a shocking and violent vision of a broken family in a godless universe. So shocking that after the playwright’s death it was shunned and rewritten with a happy ending. Only in the 19th and 20th centuries did Shakespeare’s bleak, experimental and disorientating drama attain the status it has now. But why did Shakespeare take a story from the deep history of Britain and make it so shockingly his own and when, from the Civil War to the Second World War, did this powerful and confusing tragedy emerge as Shakespeare’s greatest? With Jonathan Bate, Professor of English Literature at the University of Warwick; Katherine Duncan-Jones, Tutorial Fellow in English at Somerville College, Oxford; Catherine Belsey, Research Professor in English at the University of Wales, Swansea

Lear

Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge University

The Greek Myths

Melvyn Bragg and guests discuss the poet W.B. Yeats and Irish politics. Yeats lived through a period of great change in Ireland from the collapse of the home rule bill through to the Easter Rising of 1916 and the partitioning of the country. In May 1916, 15 men were shot by the British government. They were the leaders of the Easter Rising – a doomed attempt to overthrow British rule in Ireland - and they were commemorated by W.B. Yeats in a poem called Easter 1916. It ends with the following lines: MacDonagh and MacBrideAnd Connolly and PearseNow and in time to be,Wherever green is worn,Are changed, changed utterly:A terrible beauty is born.Yeats lived through decades of turbulence in Ireland. He saw the suspension of home rule, civil war and the division of the country, but how did the politics of the age imprint themselves on his poetry, what was the nature of Yeats’ own nationalism, and what did he mean by that most famous of phrases ‘a terrible beauty is born’?With Roy Foster, Carroll Professor of Irish History at Oxford University and Fellow of Hertford College, Oxford; Fran Brearton, Reader in English at Queen’s University, Belfast and Assistant Director of the Seamus Heaney Centre for Poetry; Warwick Gould, Director of the Institute of English Studies in the School of Advanced Study, University of London

Yeats and Irish Politics

Melvyn Bragg and guests discuss the Library at Nineveh, a treasure house of Assyrian ideas from the 7th Century BC. In 1849 a young English adventurer called Henry Layard started digging into a small hill on the banks of the River Tigris in Northern Iraq. Underneath it he found the ancient city of Nineveh. Layard unearthed extraordinary things - wonderful carved reliefs, ancient palace rooms and great statues of winged bulls. He also found a collection of clay tablets, broken up, jumbled around and sitting on the floor of a toilet. It was the remnants of a library and although Layard didn’t know it at the time, it was one of the greatest archaeological finds ever made.Conceived to house the sum of all human knowledge the library was built in the 7th century BC as the grand Assyrian Empire entered its last years. The clay tablets have proved to be a window into all aspects of Assyrian life, its literature, politics, religion and medicine – practises that are both deeply alien to us and alluringly familiar. With Eleanor Robson, Senior Lecturer at Cambridge University and Vice-Chair of the British Institute for the Study of Iraq; Karen Radner, Lecturer in the Ancient Near Eastern History at University College London; Andrew George, Professor of Babylonian at the School of Oriental and African Studies at the University of London

The Library at Nineveh

Melvyn Bragg and guests discuss what Virginia Woolf called 'one of the few English novels written for grown-up people'. It was written by George Eliot, the pen name of Mary Anne Evans (1819-80), published in 8 parts in 1871-72, and was originally two separate stories which became woven together. One, 'Middlemarch', focused on a doctor, Tertius Lydgate and the other, 'Miss Brooke', on Dorothea Brooke who became the central figure in the finished work. The events are set in a small town in the Midlands, surrounded by farmland, leading up to the Reform Act 1832, and the novel explores the potential to change in matters of religion, social status, marriage and politics, and is particularly concerned with the opportunities available to women to lead fulfilling lives. 

The image above shows Rufus Sewell and Juliet Aubrey in the BBC adaptation, from 1994

With 

Rosemary Ashton
Emeritus Quain Professor of English Language and Literature at University College London

Kathryn Hughes
Professor of Life Writing at the University of East Anglia

And 

John Bowen
Professor of Nineteenth-Century Literature at the University of York

Producer: Simon Tillotson.

Middlemarch

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