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BBC Radio 4


Popular culture, poetry, music and visual arts and the roles they play in our society.


In Our Time: Culture

Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.

With 

Guido Bonsaver
Professor of Italian Cultural History at the University of Oxford

Jennifer Burns
Professor of Italian Studies at the University of Warwick

And

Beatrice Sica
Associate Professor in Italian Studies at UCL

Producer: Simon Tillotson

Reading list: 

Elio Baldi, The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)

Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino’s Invisible Cities Around the World (Routledge, 2024)

Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters’

James Butler, ‘Infinite Artichoke’ (London Review of Books, vol. 45, no. 12, 15 June 2023)

Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders’ Nests (first published 1947; Penguin Classics, 2009)

Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)

Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023) 

Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)

Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)

Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)

Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016) 

Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014) 

Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)

Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)

Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)

In Our Time is a BBC Studios Audio Production

Italo Calvino

Melvyn Bragg and guests discuss one of the greatest romantic poets in Persian literature. Nizami Ganjavi (c1141–1209) is was born in the city of Ganja in what is now Azerbaijan and his popularity soon spread throughout the Persian-speaking lands and beyond. Nizami is best known for his Khamsa, a set of five epic poems that contains a famous retelling of the tragic love story of King Khosrow II (c570-628) and the Christian princess Shirin (unknown-628) and the legend of Layla and Majnun. Not only did he write romances: his poetry also displays a dazzling knowledge of philosophy, astronomy, botany and the life of Alexander the Great.

With 

Christine van Ruymbeke
Professor of Persian Literature and Culture at the University of Cambridge

Narguess Farzad
Senior Lecturer in Persian Studies at SOAS, University of London

And

Dominic Parviz Brookshaw
Professor of Persian Literature and Iranian Culture at the University of Oxford

Producer: Simon Tillotson

Reading list:

Laurence Binyon, The Poems of Nizami (The Studio Limited, 1928)

Barbara Brend, Treasures of Herat: Two Manuscripts of the Khamsah of Nizami in the British Library (Gingko, 2020)

Barbara Brend, The Emperor Akbar’s Khamsa of Nizami (British Library, 1995)

J-C. Burgel and C. van Ruymbeke, A Key to the Treasure of the Hakim: Artistic and Humanistic Aspects of Nizami Ganjavi’s Khamsa (Leiden University Press, 2011)

Nizami Ganjavi (trans. P.J. Chelkowski), Mirror of the Invisible World: Tales from the Khamseh of Nizami (Metropolitan Museum of Art, 1975)

Nizami Ganjavi (trans. Dick Davis), Layli and Majnun (Penguin Books, 2021)

Nizami Ganjavi (trans. Rudolf Gelpke), The Story of Layla and Majnun (first published 1966: Omega Publications, 1997)

Nizami Ganjavi (trans. Rudolf Gelpke), The Story of the Seven Princesses (Bruno Cassirer Ltd, 1976)

Nizami Ganjavi (trans. Julie Scott Meisami, The Haft Paykar: A Medieval Persian Romance (Oxford University Press, 1995)

Nizami Ganjavi (trans. Colin Turner), Layla and Majnun (Blake Publishing, 1997)
 
Dominic Parviz Brookshaw, Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth-Century Iran (Bloomsbury, 2019)

Julie Scott Meisami, Medieval Persian Court Poetry (Princeton University Press, 2014)

Asghar Seyed-Gohrab, Layli and Majnun: Love, Madness and Mystic Longing in Nizami’s Epic Romance (Brill, 2003)

Kamran Talattof, Jerome W. Clinton, and K. Allin Luther, The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric (Palgrave, 2000)

C. van Ruymbeke, Science and Poetry in Medieval Persia: The Botany of Nizami's Khamsa (Cambridge University Press, 2007) 

In Our Time is a BBC Studios Audio Production

Nizami Ganjavi

Melvyn Bragg and guests discuss the Greek biographer Plutarch (c46 AD-c120 AD) and especially his work 'Parallel Lives' which has shaped the way successive generations see the Classical world. Plutarch was clear that he was writing lives, not histories, and he wrote these very focussed accounts in pairs to contrast and compare the characters of famous Greeks and Romans, side by side, along with their virtues and vices. This focus on the inner lives of great men was to fascinate Shakespeare, who drew on Plutarch considerably when writing his Julius Caesar, Coriolanus, Timon of Athens and Antony and Cleopatra. While few followed his approach of setting lives in pairs, Plutarch's work was to influence countless biographers especially from the Enlightenment onwards.

With

Judith Mossman
Professor Emerita of Classics at Coventry University

Andrew Erskine
Professor of Ancient History at the University of Edinburgh

And 

Paul Cartledge
AG Leventis Senior Research Fellow of Clare College, University of Cambridge

Producer: Simon Tillotson

Reading list:

Mark Beck (ed.), A Companion to Plutarch (Wiley-Blackwell, 2014)

Colin Burrow, Shakespeare and Classical Antiquity (Oxford University Press, 2013), especially chapter 6

Raphaëla Dubreuil, Theater and Politics in Plutarch’s Parallel Lives (Brill, 2023)

Tim Duff, Plutarch’s Lives: Exploring Virtue and Vice (Oxford University Press, 1999)

Noreen Humble (ed.), Plutarch’s Lives: Parallelism and Purpose (Classical Press of Wales, 2010)

Robert Lamberton, Plutarch (Yale University Press, 2002)

Hugh Liebert, Plutarch's Politics: Between City and Empire (Cambridge University Press, 2016)

Christopher Pelling, Plutarch and History (Classical Press of Wales, 2002)

Plutarch (trans. Robin Waterfield), Greek Lives (Oxford University Press, 2008) 

Plutarch (trans. Robin Waterfield), Roman Lives (Oxford University Press, 2008) 

Plutarch (trans. Robin Waterfield), Hellenistic Lives (Oxford University Press, 2016)

Plutarch (trans. Ian Scott-Kilvert), The Rise and Fall of Athens: Nine Greek Lives (Penguin, 2023) 

Plutarch (trans. Ian Scott-Kilvert), The Age of Alexander: Nine Greek Lives (Penguin, 2011) 

Plutarch (trans. Richard Talbert), On Sparta (Penguin, 2005)

Plutarch (trans. Christopher Pelling), The Rise of Rome (Penguin, 2013) 

Plutarch (trans. Christopher Pelling), Rome in Crisis: Nine Lives (Penguin, 2010)

Plutarch (trans. Rex Warner), The Fall of the Roman Republic: Six Lives (Penguin, 2006)

Plutarch (trans. Thomas North, ed. Judith Mossman), The Lives of the Noble Grecians and Romans (Wordsworth, 1998)

Geert Roskam, Plutarch (Cambridge University Press, 2021)

D. A. Russell, Plutarch (2nd ed., Bristol Classical Press, 2001)

Philip A. Stadter, Plutarch and his Roman Readers (Oxford University Press, 2014)

Frances B. Titchener and Alexei V. Zadorojnyi (eds.), The Cambridge Companion to Plutarch (Cambridge University Press, 2023)

In Our Time is a BBC Studios Audio Production

Plutarch's Parallel Lives

Melvyn Bragg and guests discuss eighteenth century 'vase-mania'. In the second half of the century, inspired by archaeological discoveries, the Grand Tour and the founding of the British Museum, parts of the British public developed a huge enthusiasm for vases modelled on the ancient versions recently dug up in Greece. This enthusiasm amounted to a kind of ‘vase-mania’. Initially acquired by the aristocracy, Josiah Wedgwood made these vases commercially available to an emerging aspiring middle class eager to display a piece of the Classical past in their drawing rooms. In the midst of a rapidly changing Britain, these vases came to symbolise the birth of European Civilisation, the epitome of good taste and the timelessness that would later be celebrated by John Keats in his Ode on a Grecian Urn.

With

Jenny Uglow
Writer and Biographer 

Rosemary Sweet
Professor of Urban History at the University of Leicester

And

Caroline McCaffrey-Howarth
Lecturer in the History of Art at the University of Edinburgh

Producer: Eliane Glaser

Reading list:

Viccy Coltman, Fabricating the Antique: Neoclassicism in Britain 1760–1800 (University of Chicago Press, 2006)

David Constantine, Fields of Fire: A Life of Sir William Hamilton (Phoenix, 2002)

Tristram Hunt, The Radical Potter: Josiah Wedgwood and the Transformation of Britain (Allen Lane, 2021)

Ian Jenkins and Kim Sloan (eds), Vases and Volcanoes: Sir William Hamilton and his Collection (British Museum Press, 1996)

Berg Maxine, Luxury and Pleasure in Eighteenth-Century Britain (Oxford University Press, 2005)

Iris Moon, Melancholy Wedgwood (MIT Press, 2024)

Rosemary Sweet, Grand Tour: The British in Italy, c.1690–1820 (Cambridge University Press, 2012)

Jenny Uglow, The Lunar Men: The Friends who Made the Future (Faber and Faber, 2003)

In Our Time is a BBC Studios Audio production

Vase-mania

Melvyn Bragg and guests discuss the architect Sir John Soane (1753 -1837), the son of a bricklayer. He rose up the ranks of his profession as an architect to see many of his designs realised to great acclaim, particularly the Bank of England and the Law Courts at Westminster Hall, although his work on both of those has been largely destroyed. He is now best known for his house in Lincoln’s Inn Fields in London, which he remodelled and crammed with antiquities and artworks: he wanted visitors to experience the house as a dramatic grand tour of Europe in microcosm. He became professor of architecture at the Royal Academy, and in a series of influential lectures he set out his belief in the power of buildings to enlighten people about “the poetry of architecture”. Visitors to the museum and his other works can see his trademark architectural features such as his shallow dome, which went on to inspire Britain's red telephone boxes.

With: 

Frances Sands, the Curator of Drawings and Books at Sir John Soane’s Museum

Frank Salmon, Associate Professor of the History of Art at the University of Cambridge and Director of the Ax:son Johnson Centre for the Study of Classical Architecture

And 

Gillian Darley, historian and author of Soane's biography.

Producer: Eliane Glaser
In Our time is a BBC Studios Audio production.

Reading list:

Barry Bergdoll, European Architecture 1750-1890 (Oxford University Press, 2000)

Bruce Boucher, John Soane's Cabinet of Curiosities: Reflections on an Architect and His Collection (Yale University Press, 2024)

Oliver Bradbury, Sir John Soane’s Influence on Architecture from 1791: An Enduring Legacy (Routledge, 2015)

Gillian Darley, John Soane: An Accidental Romantic (Yale University Press, 1999)

Ptolemy Dean, Sir John Soane and the Country Estate (Ashgate, 1999)

Ptolemy Dean, Sir John Soane and London (Lund Humphries, 2006)

Helen Dorey, John Soane and J.M.W. Turner: Illuminating a Friendship (Sir John Soane’s Museum, 2007)

Tim Knox, Sir John Soane’s Museum (Merrell, 2015)

Brian Lukacher, Joseph Gandy: An Architectural Visionary in Georgian England (Thames and Hudson, 2006)

Susan Palmer, At Home with the Soanes: Upstairs, Downstairs in 19th Century London (Pimpernel Press, 2015)

Frances Sands, Architectural Drawings: Hidden Masterpieces at Sir John Soane’s Museum (Batsford, 2021)

Sir John Soane’s Museum, A Complete Description (Sir John Soane’s Museum, 2018)

Mary Ann Stevens and Margaret Richardson (eds.), John Soane Architect: Master of Space and Light (Royal Academy Publications, 1999)

John Summerson, Architecture in Britain 1530-1830 (9th edition, Yale University Press, 1993)

A.A. Tait, Robert Adam: Drawings and Imagination (Cambridge University Press, 1993) 

John H. Taylor, Sir John Soane’s Greatest Treasure: The Sarcophagus of Seti I (Pimpernel Press, 2017)

David Watkin, Sir John Soane: Enlightenment Thought and the Royal Academy Lectures (Cambridge University Press, 1996)

David Watkin, Sir John Soane: The Royal Academy Lectures (Cambridge University Press, 2000)

John Wilton-Ely, Piranesi, Paestum & Soane (Prestel, 2013)

Sir John Soane

Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey’s Poet’s Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright’ and ‘novelist’ and ‘science writer’ and ‘pamphleteer’ and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield. 

With

David O’Shaughnessy
Professor of Eighteenth-Century Studies at the University of Galway

Judith Hawley
Professor of Eighteenth-Century Literature at Royal Holloway, University of London

And 

Michael Griffin
Professor of English at the University of Limerick

Producer: Simon Tillotson

Reading list:

Norma Clarke, Brothers of the Quill: Oliver Goldsmith in Grub Street (Harvard University Press, 2016)

Leo Damrosch, The Club: Johnson, Boswell, and the Friends Who Shaped an Age (Yale University Press, 2019)

Oliver Goldsmith (ed. Aileen Douglas and Ian Campbell Ross), The Vicar of Wakefield: A Tale, Supposed to Be Written by Himself (first published 1766; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Arthur Friedman), The Vicar of Wakefield (first published 1766; Oxford University Press, 2008)

Oliver Goldsmith (ed. Arthur Friedman), The Collected Works of Oliver Goldsmith, 5 vols (Clarendon Press, 1966)
 
Oliver Goldsmith (ed. Robert L. Mack), Oliver Goldsmith: Everyman’s Poetry, No. 30 (Phoenix, 1997)

Oliver Goldsmith (ed. James Ogden), She Stoops to Conquer (first performed 1773; Methuen Drama, 2003)

Oliver Goldsmith (ed. James Watt), The Citizen of the World (first published 1762; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Nigel Wood), She Stoops to Conquer and Other Comedies (first performed 1773; Oxford University Press, 2007)

Michael Griffin and David O’Shaughnessy (eds.), Oliver Goldsmith in Context (Cambridge University Press, 2024)

Michael Griffin and David O’Shaughnessy (eds.), The Letters of Oliver Goldsmith (Cambridge University Press, 2018)

Roger Lonsdale (ed.), The Poems of Gray, Collins and Goldsmith (Longmans, 1969)

In Our Time is a BBC Studios Audio production

Oliver Goldsmith

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.

With

Emma Smith
Professor of Shakespeare Studies at Hertford College, University of Oxford

Lucy Munro
Professor of Shakespeare and Early Modern Literature at Kings College London

And 

Michelle O’Callaghan
Professor of Early Modern Literature at the University of Reading

Producer: Simon Tillotson

Reading list:

Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)

Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)

R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton’s Tragedies’ by John Stachniewski

Mark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)

Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)

Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)

David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)

Michelle O’Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)

Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)

In Our Time is a BBC Studios Audio Production

Thomas Middleton

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.

With 

Noel Peacock
Emeritus Marshall Professor in French Language and Literature at the University of Glasgow

Jan Clarke
Professor of French at Durham University

And 

Joe Harris
Professor of Early Modern French and Comparative Literature at Royal Holloway, University of London

Producer: Simon Tillotson

Reading list:

David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)

Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)

Georges Forestier, Molière (Gallimard, 2018)

Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)

John D. Lyons, Women and Irony in Molière’s Comedies of Mariage (Oxford University Press, 2023)

Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )

Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)

Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)

Julia Prest, Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)

Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)

In Our Time is a BBC Studios Audio Production

Molière

Melvyn Bragg and guests discuss the Algerian-French writer and Existentialist philosopher Albert Camus. Shortly after the new year of 1960, a powerful sports car crashed in the French town of Villeblevin in Burgundy, killing two of its occupants. One was the publisher Michel Gallimard; the other was the writer Albert Camus. In Camus’ pocket was an unused train ticket and in the boot of the car his unfinished autobiography The First Man. Camus was 46. Born in Algeria in 1913, Camus became a working class hero and icon of the French Resistance. His friendship with Sartre has been well documented, as has their falling out; and although Camus has been dubbed both an Absurdist and Existentialist philosopher, he denied he was even a philosopher at all, preferring to think of himself as a writer who expressed the realities of human existence. Awarded the Nobel Prize for Literature in 1957, Camus’ legacy is a rich one, as an author of plays, novels and essays, and as a political thinker who desperately sought a peaceful solution to the War for Independence in his native Algeria. With Peter Dunwoodie, Professor of French Literature at Goldsmiths, University of London; David Walker, Professor of French at the University of Sheffield; Christina Howells, Professor of French at Wadham College, University of Oxford.

Camus

Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University; Juliette Wood, Associate Lecturer in the Department of Welsh, Cardiff University and Director of the Folklore Society

The Fisher King

Melvyn Bragg and guests discuss the music of the spheres, the elegant and poetic idea that the revolution of the planets generates a celestial harmony of profound and transcendent beauty. In Shakespeare’s The Merchant of Venice the young Lorenzo woos his sweetheart with talk of the stars: “There’s not the smallest orb which thou behold’stBut in his motion like an angel sings,Still quiring to the young-eyed cherubins;Such harmony is in immortal souls;But whilst this muddy vesture of decayDoth grossly close it in, we cannot hear it.”The idea of music of the spheres ran through late antiquity and the medieval period into the Renaissance and its echoes could be heard in astrology and astronomy, in theology, and, of course, in music itself. Influenced by Pythagoras and Plato, it was discussed by Cicero, Boethius, Marcello Ficino and Johannes Kepler It affords us a glimpse into minds for which the universe was full of meaning, of strange correspondences and grand harmonies.With Peter Forshaw, Postdoctoral Fellow at Birkbeck, University of London; Jim Bennett, Director of the Museum of the History of Science at the University of Oxford and Angela Voss, Director of the Cultural Study of Cosmology and Divination at the University of Kent, Canterbury.

The Music of the Spheres

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