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Hrishikesh Hirway


Song Exploder is a podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made. Each episode features an artist discussing a song of theirs, breaking down the sounds and ideas that went into the writing and recording. Hosted and produced by Hrishikesh Hirway.


Song Exploder

My guest today is Ahmir Thompson, aka Questlove, the drummer and founding member of The Roots, as well as an author, a DJ, and an Oscar-winning film director.

A song that changed my life is “Double Trouble” by The Roots, and the liner notes that Questlove wrote to go with the song. There’s a change in the drum sound in that song that blew my mind, and Questlove wrote a little bit about the effort that went into getting that drum sound. And as a drummer myself, I wanted to know everything about that. And that moment 26 years ago was maybe when the first seed for Song Exploder got planted in my brain. So, getting to talk to him for this is really special for me. 

Questlove has an encyclopedic knowledge of music. It’s really astounding. He knows so much about so many artists, and he’s just directed a new documentary about Earth, Wind & Fire, which is out now. But one of the artists he knows best is Prince. He was recently asked by Rolling Stone to rank the top 100 Prince songs. For this episode, we talked about the song that he put at #1 on that list.

For more info, visit songexploder.net/questlove.

Key Change: Questlove on Prince

Metric is a band from Canada that was formed in 1998. They’ve won four Juno Awards, including Group of the Year. Rolling Stone included them in their list of the 50 Greatest Canadian Artists of All Time. In April 2026, Metric released their 10th album, Romanticize the Dive. And for this episode, I spoke to Emily Haines and Jimmy Shaw about how they made the opening song on that album, “Victim of Luck.”

For more info, visit songexploder.net/metric.

Metric - Victim of Luck

Hayley Kiyoko is a singer, songwriter, author, and director from Los Angeles. She was a child actor on Disney and Nickelodeon, and briefly in a girl group called The Stunners. But then, she started her career as a solo artist. In 2015, she put out the EP This Side of Paradise, and one of the songs on it was “Girls Like Girls.” She co-wrote it with Lily May-Young and Owen Thomas, and it was produced by James Flannigan. Hayley co-directed the music video for it, and when the song and the video came out, it was an absolute phenomenon. It became a lesbian anthem; Rolling Stone named it one of the most inspiring LGBTQ songs of all time. Hayley’s legion of fans gave her the nickname “Lesbian Jesus.” In 2023, Hayley adapted the song into a bestselling coming-of-age novel. And in June 2026, she made her feature film directorial debut, with the movie adaptation of “Girls Like Girls.” For this episode, Hayley and I talked about how it all started with the making of that song. 

For more info, visit songexploder.net/hayley-kiyoko.

Hayley Kiyoko - Girls Like Girls

My guest today is the actor Tatiana Maslany. One of the things I find so compelling about Tatiana and her career is that the roles that she plays often contain multitudes—literally. She played over 10 different characters–clones, but with distinct personalities–in the TV show Orphan Black. And in the Marvel Universe, she played She-Hulk, who also had the very different alter ego of Jennifer Walters, a lawyer. And right now, she’s starring in the show Maximum Pleasure Guaranteed on AppleTV. When Tatiana prepares for her roles—and the roles within the roles—she often uses music to inspire and motivate her. Today, I got to talk to Tatiana about a song that’s been really important to her and her process. And that song is “Faceshopping” by Sophie. 

If you’re not aware of Sophie’s music, she was an incredible, groundbreaking electronic artist from the UK. She was trans, and she passed away far too young, in 2021. But even in a short time, she made a big impact. In addition to her own music, she also produced tracks for Charli XCX, and Madonna, and more. In 2018, she released her breakthrough Grammy-nominated album, Oil of Every Pearl’s Un-Insides, which dealt a lot with her trans identity. And that’s the album that has the song “Faceshopping.” 

For more info, visit songexploder.net/tatiana-maslany.

Key Change: Tatiana Maslany on "Faceshopping" by Sophie

Paul McCartney is a singer, songwriter, multi-instrumentalist, and producer whose career spans more than six decades. As a member of The Beatles and later Wings and then with his own solo albums, he’s simply one of the most influential artists of all time. He has more accolades than I have time to list in this intro. But if you’re listening to this, you already know all that. In May 2026, he released his twentieth solo album, The Boys of Dungeon Lane. He co-produced it with Andrew Watt, who won the 2021 Grammy for Producer of the Year, and whose credits include working with Lady Gaga, The Rolling Stones, Justin Bieber, and Elton John. For this episode, I spoke to Paul McCartney about how he wrote and recorded his song "Ripples in a Pond." 

For more info, visit songexploder.net/paul-mccartney.

Paul McCartney - Ripples in a Pond

Hot Chip is a band from London made up of Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. Their second album, The Warning, came out in 2006. It was nominated for a Mercury Prize, and named one of the best albums of the year by NME and Pitchfork. And later, NME would include it in their list of best albums of all time. For this episode, I talked to them about one of the songs from The Warning called “Boy From School.” You might have heard it in the second season of the show Beef on Netflix—the band’s also in the show—or you might have heard it on The Simpsons. You could have also heard the song in my car all the time in 2006. So I was very excited to talk to Alexis and Joe from Hot Chip about how “Boy from School” was made.

For more info, visit songexploder.net/hot-chip.

Hot Chip - Boy From School

My guest today is the bestselling author Emma Straub. Her books include 'This Time Tomorrow,' 'Modern Lovers,' 'The Vacationers,' and more. And with her husband, Michael Fusco, she co-owns the beautiful Brooklyn bookstore Books Are Magic.

I'm so thrilled to have her on because, not only is she a wonderful writer, but Key Change is a series about music fandom and identity. And Emma's newest novel 'American Fantasy' is also about music fandom and identity. That story is set on a cruise ship centered around a nineties boy band and their fans.

But today, Emma's going to tell me her story about her own relationship with the music of The Magnetic Fields. Stephin Merritt from the Magnetic Fields was just named one of the greatest living American songwriters by the New York Times, and Emma’s introduction to their music was their 1999 triple album, '69 Love Songs.' 

For more info, visit songexploder.net/emma-straub.

Key Change: Emma Straub on ‘69 Love Songs’ by The Magnetic Fields

The xx formed in 2005, when they were still in high school. They signed to the UK label Young, and put out their first album in 2009. It won the prestigious Mercury Prize, and was named one of the best albums of the year by Rolling Stone, Pitchfork and more. Since then, the Guardian has named it one of the best albums of the 21st century. This year, the three band members, Romy Croft, Oliver Sim, and Jamie xx played together as The xx for the first time in 8 years. I spoke to them in between the weekends at Coachella, where they were opening their sets with the song “Crystalised.” It’s the first song they ever released, back in April 2009, when the lineup also included Baria Qureshi on guitar. I spoke to Romy, Jamie and Oliver, here at my studio, about how they first found each other, and how they made “Crystalised.”

For more info, visit songexploder.net/the-xx.

The xx - Crystalised

The legendary singer/songwriter Yusuf / Cat Stevens released his first album in 1967. He’s a member of the Rock & Roll Hall of Fame, and his albums have sold millions. In 2020, he released Tea for the Tillerman², a re-imagining of his hit 1970 album Tea for the Tillerman. In the song “Father & Son,” he sings a duet between the two title characters, doing both voices. But in the 2020 version, he approached this song in a kind of astonishing way—he recorded the part of the father, but for the part of the son, he used a live recording of himself from 1970, taken from a show he played at The Troubadour in Los Angeles. So the two parts are still both sung in his voice, but 50 years apart. In this episode, the 200th episode of Song Exploder, Yusuf / Cat Stevens tells the story of how he created, and then re-created “Father & Son.”

For more, visit songexploder.net/yusuf-cat-stevens.

Yusuf / Cat Stevens - Father and Son

Today, we're sharing an episode of Nate DiMeo's wonderful podcast, The Memory Palace, which helped inspire both Song Exploder, and a song on my upcoming album. So today, I want to present a kind of two-part story. The first part: "The Thundering Herd, The Vanishing American," from The Memory Palace. And in the second half of the episode, I’ll tell you how it ended up unexpectedly unlocking a song that I’d been trying to figure out. 

For more episodes of The Memory Palace, visit thememorypalace.us. 

To pre-order my album visit keeledscales.com. To get tickets to one of my shows on tour, visit hrishikesh.co.

The Memory Palace: The Thundering Herd, The Vanishing American

Alfred Darlington, better known as Daedelus, takes apart his song Experience. This early track of his is made with only acoustic sounds, but Alfred still considers it a piece of electronic music, and explains why. He also talks about the unexpected life the song has had since he recorded it, after being sampled by Madlib for his collaboration with MF Doom, Madvillain. Experience became the beat for Madvillain’s Accordion, the first song on their highly acclaimed album, and later referenced and resampled by artists like Drake and Kitty (aka Kitty Pryde). Daedelus deconstructs the song and discusses what its legacy means to him.

Daedelus - Experience

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