My guest is Sound Artist Jez riley French. Jez is widely regarded as having played a pivotal role in expanding the use of contact microphones, hydrophones, electromagnetic coils, ultrasonic detectors, geophones, and VLF receivers in the sound arts, sound design (for the screen, theatre, and radio), and music in a wide range of contexts. His work has included commissions and performances for
Tate Modern (UK)
The Whitworth (UK)
Paradise Air (Japan)
MoT - Museum of Contemporary Art Tokyo (Japan)
Spikersuppa Lydgalleri, Oslo (Norway)
Baltic (UK)
Steklenik (Slovenia)
Museo Reina Sofia (Spain)
Catalyst Arts (N. Ireland)
Artisphere (USA)
Harpa (Iceland)
Mengi (Iceland)
The Wired Lab (Australia)
Mullae Art Space (Korea)
q-02 (Belgium)
In this episode, we discuss
Open Space of Yorkshire
New Wave and Punk
Sharp Recorder
Fascination with Listening
Sexism in Music
Discovering Contact Mics and Hydrophones
Listening Below the Surface
Pre-Internet Research
Music Shop Blokes
Swapping Cassettes
Feeling Right to Press Record
Traces
Setting up a Distribution Company
Durational Listening
The Emotion of Listening
Audio Memory
Recording Mediums
Sound Art
Making a Living
Field Recording Approaches
There Are No Rules
Influences
Matt's Rant: Holiday Reset Links and Show Notes
Jez's Website
Pheobe riley Law
Credits
Guest: Jex riley French
Host: Matt Boudreau
Engineer: Matt Boudreau
Producer: Matt Boudreau
Editing: Anne-Marie Pleau
WCA Theme Music: Cliff Truesdell
Announcer: Chuck Smith
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