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Descubre un mundo infinito de historias

Escucha y lee

Émile Zola

BEFORE perusing this work, it is as well that the reader should understand M. Zola's aim in writing it, and his views—as distinct from those of his characters—upon Lourdes, its Grotto, and its cures. A short time before the book appeared M. Zola was interviewed upon the subject by his friend and biographer, Mr. Robert H. Sherard, to whom he spoke as follows:
"'Lourdes' came to be written by mere accident. In 1891 I happened to be travelling for my pleasure, with my wife, in the Basque country and by the Pyrenees, and being in the neighbourhood of Lourdes, included it in my tour. I spent fifteen days there, and was greatly struck by what I saw, and it then occurred to me that there was material here for just the sort of novel that I like to write—a novel in which great masses of men can be shown in motion—un grand mouvement de foule—a novel the subject of which stirred up my philosophical ideas...

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The Three Cities

The Three Cities Trilogy: Lourdes

IN submitting to the English-speaking public this second volume of M. Zola's trilogy "Lourdes, Rome, Paris," I have no prefatory remarks to offer on behalf of the author, whose views on Rome, its past, present, and future, will be found fully expounded in the following pages. That a book of this character will, like its forerunner "Lourdes," provoke considerable controversy is certain, but comment or rejoinder may well be postponed until that controversy has arisen. At present then I only desire to say, that in spite of the great labour which I have bestowed on this translation, I am sensible of its shortcomings, and in a work of such length, such intricacy, and such a wide range of subject, it will not be surprising if some slips are discovered. Any errors which may be pointed out to me, however, shall be rectified in subsequent editions. I have given, I think, the whole essence of M. Zola's text; but he himself has admitted to me that he has now and again allowed his pen to run away with him, and thus whilst sacrificing nothing of his sense I have at times abbreviated his phraseology so as slightly to condense the book. I may add that there are no chapter headings in the original, and that the circumstances under which the translation was made did not permit me to supply any whilst it was passing through the press; however, as some indication of the contents of the book—which treats of many more things than are usually found in novels—may be a convenience to the reader, I have prepared a table briefly epitomising the chief features of each successive chapter.
 E. A. V.

The Three Cities Trilogy: Rome

WITH the present work M. Zola completes the "Trilogy of the Three Cities," which he began with "Lourdes" and continued with "Rome"; and thus the adventures and experiences of Abbe Pierre Froment, the doubting Catholic priest who failed to find faith at the miraculous grotto by the Cave, and hope amidst the crumbling theocracy of the Vatican, are here brought to what, from M. Zola's point of view, is their logical conclusion. From the first pages of "Lourdes," many readers will have divined that Abbe Froment was bound to finish as he does, for, frankly, no other finish was possible from a writer of M. Zola's opinions.
Taking the Trilogy as a whole, one will find that it is essentially symbolical. Abbe Froment is Man, and his struggles are the struggles between Religion, as personified by the Roman Catholic Church, on the one hand, and Reason and Life on the other. In the Abbe's case the victory ultimately rests with the latter; and we may take it as being M. Zola's opinion that the same will eventually be the case with the great bulk of mankind. English writers are often accused of treating subjects from an insular point of view, and certainly there may be good ground for such a charge. But they are not the only writers guilty of the practice. The purview of French authors is often quite as limited: ...