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Entre em um mundo infinito de histórias

Ouça e leia

Rich Zahradnik

In March of 1975, as New York City hurtles toward bankruptcy and the Bronx burns, newsman Coleridge Taylor roams police precincts and ERs. He is looking for the story that will deliver him from obits, his place of exile at the Messenger-Telegram. Ever since he was demoted from the police beat for inventing sources, the thirty-four-year-old has been a lost soul.

A break comes at Bellevue, where Taylor views the body of a homeless teen picked up in the Meatpacking District. Taylor smells a rat: the dead boy looks too clean, and he’s wearing a distinctive army field jacket. A little digging reveals that the jacket belonged to a hobo named Mark Voichek and that the teen was a spoiled society kid up to no good, the son of a city official.

Taylor’s efforts to protect Voichek put him on the hit list of three goons who are willing to kill any number of street people to cover tracks that just might lead to City Hall. Taylor has only one ally in the newsroom, young and lovely reporter Laura Wheeler. But time is not on his side, and if he doesn’t wrap this story up soon, he’ll be back on the obits page—as a headline, not a byline.

Donald Corren

Blackstone Publishing

The Coleridge Taylor Mysteries

Last Words: A Coleridge Taylor Mystery

Coleridge Taylor is searching for his next scoop on the police beat. The Messenger-Telegram reporter has a lot to choose from on the crime-ridden streets of New York City in 1975. One story outside his beat is grabbing all the front page glory: New York teeters on the brink of bankruptcy, and President Ford just told the city, as the Daily News so aptly puts it, “drop dead.”

Taylor’s situation is nearly as desperate. His home is a borrowed dry-docked houseboat, his newspaper may also be on the way out, and his drunk father keeps getting arrested. A source sends Taylor down to Alphabet City, where he finds two dead bodies: a punk named Johnny Mort and a cop named Robert Dodd. Each looks too messed up to have killed the other, so Taylor starts asking around. The punk was a good kid, the peace-loving guardian angel of the neighborhood’s stray dogs. What led him to mug a woman at gunpoint? And why is officer Samantha Callahan being accused of leaving her partner to die, even though she insists the police radio misled her?

It’s hard enough being a female in the NYPD only five years after women were assigned to patrol, and now the department wants to throw her to the wolves. That’s not going to happen—not if Taylor can help it. As he falls for Samantha—a beautiful, dedicated second-generation cop—he realizes he’s too close to his story. Officer Callahan is a target, and Taylor is standing between her and some mighty big guns.

Drop Dead Punk: A Coleridge Taylor Mystery

On the eve of the US Bicentennial, newsman Coleridge Taylor is covering Operation Sail. New York Harbor is teeming with tall ships from all over the world. While enjoying the spectacle, Taylor is still a police reporter. He wants to cover real stories, and gritty New York City still has plenty of those in July of 1976. One surfaces right in front of him when a housewife is fished out of the harbor wearing bricks of heroin, inferior stuff users have been rejecting for China White.

Convinced he’s stumbled on a drug war between the Italian Mafia and a Chinese tong, Taylor is on fire once more. But as he blazes forward, flanked by his new girlfriend, ex-cop Samantha Callahan, his precious story grows ever more twisted and deadly. In his reckless search for the truth, he rattles New York’s major drug cartels. If he solves the mystery, he may end up like the victim—in a watery grave.

A Black Sail: A Coleridge Taylor Mystery

In March 1977, ballistics link murders going back six months to the same Charter Arms Bulldog .44. A serial killer, Son of Sam, is on the loose. But Coleridge Taylor can’t compete with the armies of reporters fighting New York’s tabloid war—only rewrite what they get. Constantly on the lookout for victims who need their stories told, he uncovers other killings being ignored because of the media circus. He goes after one, the story of a young Black woman gunned down in her apartment building the same night Son of Sam struck elsewhere in Queens.

The story entangles Taylor with a wealthy Park Avenue family at war with itself. Just as he’s closing in on the killer and his scoop, the July 13–14 blackout sends New York into a 24-hour orgy of looting and destruction. Taylor and his PI girlfriend Samantha Callahan head out into the darkness, where a steamy night of mob violence awaits them.

In the midst of the chaos, a suspect in Taylor’s story goes missing. Desperate, he races to a confrontation that will either break the story—or Taylor.