De Officiis
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Ilukirjandus
In the de Officiis we have, save for the latter Philippics, the great orator's last contribution to literature. The last, sad, troubled years of his busy life could not be given to his profession; and he turned his never-resting thoughts to the second love of his student days and made Greek philosophy a possibility for Roman readers. The senate had been abolished; the courts had been closed. His occupation was gone; but Cicero could not surrender himself to idleness. In those days of distraction (46-43 b.c.) he produced for publication almost as much as in all his years of active life. The liberators had been able to remove the tyrant, but they could not restore the republic. Cicero's own life was in danger from the fury of mad Antony and he left Rome about the end of March, 44 b.c. He dared not even stop permanently in any one of his various country estates, but, wretched, wandered from one of his villas to another nearly all the summer and autumn through. He would not suffer himself to become a prey to his overwhelming sorrow at the death of the republic and the final crushing of the hopes that had risen with Caesar's downfall, but worked at the highest tension on his philosophical studies. The Romans were not philosophical. In 161 b.c. the senate passed a decree excluding all philosophers and teachers of rhetoric from the city. They had no taste for philosophical speculation, in which the Greeks were the world's masters. They were intensely, narrowly practical. And Cicero was thoroughly [x] Roman. As a student in a Greek university he had had to study philosophy. His mind was broad enough and his soul great enough to give him a joy in following after the mighty masters, Socrates, Plato, Zeno, Cleanthes, Aristotle, Theophrastus, and the rest. But he pursued his study of it, like a Roman, from a "practical" motive—to promote thereby his power as an orator and to augment his success and happiness in life.
© 2016 anboco (E-raamat): 9783736413597
Väljaandmise kuupäev
E-raamat: 6. september 2016
- Allüürnik Freida McFadden
- Karulõks Berit Sootak
- Misterioso Arne Dahl
- Mõrv Langley metsas Betty Rowlands
- Kui meri rahuneb Jørn Lier Horst
- Lapsemäng Angela Marsons
- Variatsioon Rebecca Yarros
- Uskumuste meelevallas Donna Leon
- Külm nagu kivi Alex Smith
- Kalendritüdruk Sebastian Fitzek
- Ära kasutatud, vägistatud ja müüdud Jessika Devert, Paulina Bengtsson
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- Raamatukogu viimased päevad Heli Künnapas
- Safranisügis Maija Kajanto
- Vales seltskonnas Viveca Sten
- Allüürnik Freida McFadden
- Prouad tõsielusarjas ja armastuse otsinguil Sirje Salu
- Petlik tõde Colleen Hoover
- Cragside’i häärber L. J. Ross
- Märgistatud Max Seeck
- Ära kasutatud, vägistatud ja müüdud Jessika Devert, Paulina Bengtsson
- Lenda minuga Katariina Tammert
- Külm nagu kivi Alex Smith
- Koole maha, kaunitar Helena Marchmont
- Safranisügis Maija Kajanto
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- Karulõks Berit Sootak
- Kaneelisaiakese raamatupood Laurie Gilmore
- Ja ei jäänud teda ka Agatha Christie
- Mees. Otse ja ausalt Jesper Parve
- Petlik tõde Colleen Hoover
- Ära kasutatud, vägistatud ja müüdud Jessika Devert, Paulina Bengtsson
- Cragside’i häärber L. J. Ross
- Märgistatud Max Seeck
- Rehepapp Andrus Kivirähk
- Armastuse hüpotees Ali Hazelwood
- Safranisügis Maija Kajanto
- Kaneelisaiakese raamatupood Laurie Gilmore
- Kõrvitsavürtsi kohvik Laurie Gilmore
- Seitse õde. Maia lugu Lucinda Riley
- Majakavaht Camilla Läckberg
- Võib-olla ühel päeval Ketlin Priilinn
- Kaneelirullisuvi Maija Kajanto
- Koduabiline Freida McFadden
- Koduabilise saladus Freida McFadden
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