Oliver Twist
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Charles Dickens was born on 1812, in Portsea, England. His parents were middle-class, but they suffered financially as a result of living beyond their means. When Dickens was twelve years old, his family's dire straits forced him to quit school and work in a blacking factory, a place where shoe polish is made. Within weeks, his father was put in debtor's prison, where Dickens's mother and siblings eventually joined him. At this point, Dickens lived on his own and continued to work at the factory for several months. The horrific conditions in the factory haunted him for the rest of his life, as did the experience of temporary orphanhood. Apparently, Dickens never forgot the day when a more senior boy in the warehouse took it upon himself to instruct Dickens in how to do his work more efficiently. For Dickens, that instruction may have represented the first step toward his full integration into the misery and tedium of working-class life. The more senior boy's name was Bob Fagin. Dickens's residual resentment of him reached a fevered pitch in the characterization of the villain Fagin in Oliver Twist.
After inheriting some money, Dickens's father got out of prison and Charles returned to school. As a young adult, he worked as a law clerk and later as a journalist. His experience as a journalist kept him in close contact with the darker social conditions of the Industrial Revolution, and he grew disillusioned with the attempts of lawmakers to alleviate those conditions. A collection of semi-fictional sketches entitled Sketches by Boz earned him recognition as a writer. Dickens became famous and began to make money from his writing when he published his first novel, The Pickwick Papers, which was serialized in 1836 and published in book form the following year.
In 1837, the first installment of Oliver Twist appeared in the magazine Bentley's Miscellany, which Dickens was then editing. It was accompanied by illustrations by George Cruikshank, which still accompany many editions of the novel today. Even at this early date, some critics accused Dickens of writing too quickly and too prolifically, since he was paid by the word for his serialized novels. Yet the passion behind Oliver Twist, animated in part by Dickens's own childhood experiences and in part by his outrage at the living conditions of the poor that he had witnessed as a journalist, touched his contemporary readers. Greatly successful, the novel was a thinly veiled protest against the Poor Law of 1834.
In 1836, Dickens married Catherine Hogarth, but after twenty years of marriage and ten children, he fell in love with Ellen Ternan, an actress many years his junior. Soon after, Dickens and his wife separated, ending a long series of marital difficulties. Dickens remained a prolific writer to the end of his life, and his novels—among them Great Expectations, A Tale of Two Cities, A Christmas Carol, David Copperfield, and Bleak House—continued to earn critical and popular acclaim. He died of a stroke in 1870, at the age of 58, leaving The Mystery of Edwin Drood unfinished.
Oliver Twist opens with a bitter invective directed at the nineteenth-century English Poor Laws. These laws were a distorted manifestation of the Victorian middle class's emphasis on the virtues of hard work. England in the 1830s was rapidly undergoing a transformation from an agricultural, rural economy to an urban, industrial nation. The growing middle class had achieved an economic influence equal to, if not greater than, that of the British aristocracy.
In the 1830s, the middle class clamored for a share of political power with the landed gentry, bringing about a restructuring of the voting system. Parliament passed the Reform Act, which granted the right to vote to previously disenfranchised middle-class citizens. This desire gave rise to the Evangelical religious movement and inspired sweeping economic and political change.
© 2024 E-Kitap Projesi & Cheapest Books (E-raamat): 9786052259122
Väljaandmise kuupäev
E-raamat: 25. jaanuar 2024
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- Kui meri rahuneb Jørn Lier Horst
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- Uskumuste meelevallas Donna Leon
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- Vales seltskonnas Viveca Sten
- Ilmalinnu laul Berit Sootak
- Vanad patud Marianne Cedervall
- Suluseis Helen Eelrand
- Surmanimekiri Anna Jansson
- Rõngu roimad I Joel Jans
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- Karulõks Berit Sootak
- Safranisügis Maija Kajanto
- Kaneelisaiakese raamatupood Laurie Gilmore
- Petlik tõde Colleen Hoover
- Fifty-Fifty Steve Cavanagh
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- Tööpäev Tõnu Õnnepalu
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- Vanad patud Marianne Cedervall
- Kalendritüdruk Sebastian Fitzek
- Ära kasutatud, vägistatud ja müüdud Jessika Devert, Paulina Bengtsson
- Kaneelisaiakese raamatupood Laurie Gilmore
- Petlik tõde Colleen Hoover
- Fifty-Fifty Steve Cavanagh
- Safranisügis Maija Kajanto
- Kaneelirullisuvi Maija Kajanto
- Veristan su nagu lambatalle Shahrazad
- Cougar. 3. osa Helene Moss
- Topeltelu Iris Mårtenson
- Ämblik Lars Kepler
- Datlitalv Maija Kajanto
- Sohilaps Camilla Läckberg
- See ainus ja õige Jørn Lier Horst
- Šveitsi tütar Soraya Lane
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