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What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.

 Support public media by joining NPR+ at plus.npr.org. You’ll get perks for over 25 NPR podcasts, including bonus episodes and sponsor-free listening for Code Switch.

Code Switch

Jay-Z says he's a business, man. He sold out Yankee Stadium for three nights, and used the stage to answer everyone calling him a sellout. The billionaire released the 30th-anniversary edition of his debut album about hustling his way to independence as a Target exclusive in the middle of a boycott many Black organizers say never ended. We dig into how this is what Jay-Z has been selling his whole career -- it’s how Black excellence and Black capitalism get fed to us as the same thing.

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Jay-Z has F-you money. Is he saying it to the wrong people?

The Trump administration has been closing off nearly every pathway into the U.S. — except one. The H-2A visa is for the seasonal workers who pick the fruits and vegetables in your grocery store, and it’s the only federal visa program still growing: up 500% since 2012, even though pretty much everyone hates it. NPR’s Ximena Bustillo traces how the history of agricultural labor created this problematic program we can’t live without.
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How farm work became the exception to Trump's border crackdown

Sixteen-year-old Antonio Mays Jr. traveled a thousand miles to join the racial justice movement that erupted after George Floyd's killing. Less than a week after he arrived in Seattle in the summer of 2020 — landing in the middle of the Capitol Hill Occupied Protest, known as CHOP — he was shot and killed. The case remains unsolved.
This week we're bringing you the first episode in an eight-part series from Sydney Brownstone of The Seattle Times and Will James of KUOW, investigating Antonio's death — tracking down key eyewitnesses and surfacing evidence that's never been made public.

Listen to the second episode of "We Keep Us Safe" from Embedded now.

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The case of a Black teen, killed after joining a protest movement

Mahmoud Khalil is suing the Trump administration, alleging a "public-private conspiracy" to punish him for pro-Palestinian speech. The law he's using dates back to 1871 — it's called the Ku Klux Klan Act. It's the same statute civil rights attorney Randolph McLaughlin used in the 1980s when he become one of the first lawyers to successfully sue the Klan. McLaughlin walks us through how that Reconstruction-era law has been used against the KKK, Unite the Right, and maybe next against ICE.

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An anti-KKK law is being used to sue the Trump admin. Will it work?

"Be vulnerable." "We love your authenticity." "Bring your full self to work." Sound familiar? In this episode, we talk to Jodi-Ann Burey, author of Authentic: The Myth of Bringing Your Full Self to Work, about why you should absolutely NOT do those things at work -- especially if you're a Black woman.

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Work does not deserve your full self

Patriot Front is a white nationalist group that focuses on high visibility stunts, like banner drops, disrupting events, or swarming Washington, DC for Independence Day. Meanwhile, the State Department has convened 60 nations against what it calls far-left terrorism. We talk to NPR’s Odette Yousef about who the guys in Patriot Front actually are, why their finances resemble a pyramid scheme selling stickers and stencils, and what it means that the federal government is aiming its counterterrorism attention in a very different direction.

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Inside the culty white supremacists the feds are ignoring

The potato may be one of the world's most beloved foods but it's also an insult. In Colombia, speaking with "una papa en la boca" means you mumble — or that you're too posh. Producer Christina Cala follows the potato from Bad Bunny to the Andes to her own mother's kitchen, and finds that potato jokes are often about whose heritage gets celebrated and who gets treated like they're worth understanding.

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How the potato became an insult

Longtime homeowners — often Black seniors — are being tricked into signing away the deeds to their own homes, then getting evicted from them. It's called deed theft, and it's rampant in gentrifying neighborhoods like Bed Stuy, where brownstones that redlining once made cheap now sell for millions. New York City Councilmember Chi Ossé and WNYC/Gothamist reporter David Brand explain how the scam works, why it targets Black homeowners, and why it's so hard to stop.

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With 'deed theft' scammers are targeting Black homeowners

All good (and complicated) things must come to an end, and the World Cup is no exception. To deal with the anticipatory grief ahead of the Spain v. Argentina final, NPR World Cup and Lionel Messi expert Jasmine Garsd hops on the mic to talk all things fútbol. Lace up your limited edition pink cleats: We're talking African soccer's moment, diaspora players, colonizers vs. colonies, and what's up with race erasure on Argentina's team.

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Why the World Cup is race and class all the way down

This summer, protesters connected to a demonstration outside the Prairieland ICE detention center in North Texas were sentenced to as much as 100 years in prison. It's the first case prosecuted under President Trump's National Security Presidential Memorandum 7, which targets "extremism on migration, race, and gender" and classifies antifa as a domestic terrorism organization. What's striking is the evidence: zines, Signal messages, hosting a book club. This week, we talk with Guardian reporter Lex McMenamin about what this case could mean for dissent going forward.

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Trump's new legal weapon for prosecuting protestors

Mo Amer is the creator and star of the hit Netflix comedy series Mo. It's a first-of-its kind Palestinian-American sitcom with a fraught plot line about the American immigration system and the hope to return, at least for a visit, to his family's homeland. We talk to Mo Amer what it’s like to make a show so centered on the real facts of his own life, and to be thrust into the role of spokesperson for Palestinian-Americans at this particular moment.

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Statelessness, but make it funny

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