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WNYC Studios and The New Yorker


Readings and conversation with The New Yorker's poetry editor, Kevin Young.


The New Yorker: Poetry

Henri Cole joins Kevin Young to read “Vita Nova,” by Louise Glück, and his own poem “Figs.” Cole is the author of many poetry collections, including “The Other Love.” He is also a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and the recipient of honors such as the Thom Gunn Award and the Jackson Poetry Prize. 

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Henri Cole Reads Louise Glück

Bruce Smith joins Kevin Young to read “Open Letter To My Ancestors,” by Mary Ruefle, and his own poem “The Game.” Smith, the author of eight poetry collections, including the forthcoming “Hungry Ghost,” has received awards from the Academy of American Poets and the American Academy of Arts and Letters, in addition to fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He teaches at Syracuse University.

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Bruce Smith Reads Mary Ruefle

Garrett Hongo joins Kevin Young to read “T’ang Notebook,” by Charles Wright, and his own poem “On Emptiness.” Garrett Hongo is the author of several books of poetry and nonfiction, including “Ocean of Clouds” and “The Perfect Sound: A Memoir in Stereo.” He's received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and he's a distinguished professor at the University of Oregon.

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Garrett Hongo Reads Charles Wright

Sasha Debevec-McKenney joins Kevin Young to read “Hammond B3 Organ Cistern,” by Gabrielle Calvocoressi, and her own poem “Kaepernick.” Debevec-McKenney is the author of the new poetry collection “Joy Is My Middle Name.” She was a Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin, and a creative-writing fellow at Emory University. Her poems have been published widely.

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Sasha Debevec-McKenney Reads Gabrielle Calvocoressi

Megan Fernandes joins Kevin Young to read “Half-Life in Exile,” by Hala Alyan, and her own poem “On Your Departure to California.” Fernandes’s books include “I Do Everything I’m Told” and “Good Boys.” Her poems have been published widely, and she’s received fellowships from the Yaddo Foundation, the Sewanee Writers’ Conference, and the Hawthornden Foundation. She’s currently an associate professor of English and the writer-in-residence at Lafayette College.

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Megan Fernandes Reads Hala Alyan

Erika Meitner joins Kevin Young to read “What Work Is,” by Philip Levine, and her own poem “To Gather Together.” Meitner’s books include “Useful Junk” and “Holy Moly Carry Me,” which won the 2018 National Jewish Book Award in Poetry. She is currently a Mandel Institute Cultural Leadership Program Fellow, and she’s the director of the M.F.A. program in creative writing at the University of Wisconsin-Madison.

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Erika Meitner Reads Philip Levine

David St. John joins Kevin Young to read “Picking Grapes in an Abandoned Vineyard,” by Larry Levis, and his own poem “The Shore.” St. John is the author of many poetry collections and the recipient of honors including the Rome Fellowship and an Award in Literature from the American Academy of Arts and Letters, the O. B. Hardison Prize from the Folger Shakespeare Library, and the George Drury Smith Award from Beyond Baroque. He’s also the editor of “Swirl & Vortex,” a volume of collected poems by the late Larry Levis, forthcoming in 2026.

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David St. John Reads Larry Levis

Edward Hirsch joins Kevin Young to read “96 Vandam,” by Gerald Stern, and his own poem “Man on a Fire Escape.” Hirsch's honors include a MacArthur Fellowship, a National Book Critics Circle Award, the Pablo Neruda International Presidential Medal of Honor, and a National Jewish Book Award.

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Edward Hirsch Reads Gerald Stern

Jericho Brown joins Kevin Young to read “When,” by Elizabeth Alexander, and his own poem, “Colosseum.” Jericho Brown, who received the 2020 Pulitzer Prize in poetry for his collection “The Tradition.” He’s a 2024 MacArthur Fellow and a Chancellor of the Academy of American Poets.

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Jericho Brown Reads Elizabeth Alexander

This year, The New Yorker turns one hundred years old, and, to celebrate the occasion, we’re publishing an anthology: “A Century of Poetry in The New Yorker, 1925-2025.” Deborah Garrison, a poet and an editor at Knopf, who worked closely with The New Yorker on this exciting project, joins Kevin Young to discuss the anthology.

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Garrett Hongo Reads Charles Wright

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