WCA #293 with Heidi Trefethen - Live Sound, Recording, French Horn, Struggles with The Mormon Church, Session Mindset, Sexism and Learning to Evolve

WCA #293 with Heidi Trefethen - Live Sound, Recording, French Horn, Struggles with The Mormon Church, Session Mindset, Sexism and Learning to Evolve

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Heidi Trefethen is a French Hornist, multi-instrumentalist, educator, and sought-after sound engineer, Heidi Trefethen shuttles back and forth across continents frequently, in roles both onstage and off. As a hornist, she has performed in numerous ensembles and venues in Italy, the UK, Bosnia, Thailand, Guatemala, Israel Turkey, and the US, including the LA Philharmonic, the JazzUp Festival in Italy, Cleveland's Rock n' Roll Hall of Fame, San Francisco's Davies Symphony Hall and SFJAZZ's Miner Hall. As a live sound engineer, she has worked with the likes of Shawn Colvin, Meshell N'degeocello, Odetta, Ellis Paul, Joan Baez, Joan Armatrading, Buffy Sainte-Marie, Holly Near, John Stewart of the Kingston Trio, Dar Williams, Al Stewart, Jane Siberry and Lucy Kaplansky, often at the legendary Freight and Salvage in Berkeley, CA. Heidi can be often seen behind the sound boards at SFJAZZ where she was recently recruited as a FOH and A2 engineer. As a recording engineer, she studied at the California Recording Institute’s intensive sound engineering program. An internship at the historic Coast Recorders and a job at Rocket Lab mastering house had her working side-by-side with technical heavyweights John Cuniberti, Dan Alexander and Michael Romanowski. Heidi’s engineering credits include Tammy Hall’s “Blue Soul,” Jessica Jones and Mark Taylor’s “Live at the Freight” 2011, Lucy Kaplansky’s "Kaplansky Sings Kaplanksy," 2000, Michael Burles' currently "Untitled Recording" 2017, Nestler and Hawtin's "Duality" 2014, co-engineered with Bryan Bell, Herbie Hancock’s first engineer, and full production of Anne Rainwater's solo piano recording of Johann Sebastian Bach's Goldberg Variations.

In this episode, we discuss:

SF Jazz

French Horn

Freight & Salvage

Teaching

Learning to Evolve

Mentoring

Women's Audio Mission

Covid's Effect

The Audio Pro Advantage

The Importance of Recording & Music

Overdubbing at a Young Age

Education

Open Mic Nights

Live Sounds

Producing

Session Mindset

Communication Style

Struggles w/The Mormon Church

Empathy

Women in Audio

Sexism

Bay Area

Speaking Italian

Making a Living

Not Working for Free

Links and Show Notes

Heidi's Site: www.heiditrefethen.com

Linkedin Profile: https://bit.ly/39ujk1L

Instagram: https://www.instagram.com/heiditrefethen/

Twitter: https://twitter.com/heiditrefethen

WCA on Instagram: https://www.instagram.com/working_class_audio

Support WCA - Go Ad-Free! https://glow.fm/workingclassaudio/

Connect with Matt on Linkedin: https://www.linkedin.com/in/mattboudreau/

Current sponsors & promos: https://bit.ly/2WmKbFw

Working Class Audio Journal: https://amzn.to/2GN67TP

Credits:

Guest: Heidi Trefethen

Host: Matt Boudreau

WCA Theme Music: Cliff Truesdell

Announcer: Chuck Smith

Editing: Anne-Marie Pleau & Matt Boudreau

Additional Music: The License Lab


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