20 anni DANIEL FERRO VOCAL PROGRAM: Corsi di perfezionamento per cantanti lirici a Greve in Chianti 1995–2014Joy Ferro
Hollitzer Wissenschaftsverlag
Hollitzer Wissenschaftsverlag
Libros de Hollitzer Wissenschaftsverlag
- Ottoman Empire and European Theatre Vol. IV: Seraglios in Theatre, Music and Literature
- Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White
- Living by the Coins: Roman Life in the Light of Coin Finds and Archaeology within a Residential Quarter of CarnuntumCristian Gazdac
- Serenata and Festa Teatrale in 18th Century Europe
- Rethinking Rationalisation: Evolutionism and Imperialism in Max Weber's Discourse on MusicAna Petrov1
- Ottoman Empire and European Theatre Vol. II: The Time of Joseph Haydn: From Sultan Mahmud I to Mahmud II (r.1730-1839)
- Frantisek Josef Benedikt Dusik: The Biography of an Eighteenth-Century ComposerMatjaž Barbo
- Una sera in Camerata: E dell'Arno alto tesoro...H. E. Weidinger
- Constanze, Mozart's BelovedAgnes Selby
- Ottoman Empire and European Theatre Vol. III: Images of the Harem in Literature and Theatre.
- The Life and Works of Gottlieb Muffat (1690-1770): Part I: A Documentary Biography. Part II: Catalogue of Works and SourcesAlison J. Dunlop
- Eduard Strauss: The Third Man of the Strauss FamilyLeigh Bailey
- Ludvig Holberg, a Danish Playwright on the European Stage: Masquerade, Comedy, SatireBent Holm
- Music and Its Referential Systems
- Best of ISA Science: An Interdisciplinary Collection of Essays on Music and Arts
- L'Etruria fortunata: Cantata celebrativa in onore del Granduca di Toscana Pietro Leopoldo d'Asburgo-Lorena. Messa in musica di Charles Antoine Campion (1720-1788). Facsimile della partitura autografaHans Ernst Weidinger
- "La clemenza di Tito" di Wolfgang Amadeus Mozart al Teatro romano di Fiesole: Estate Fiesolana 2014. Programma di salaHans Ernst Weidinger
- Neo-Aesthetic Theory: Complexity and Complicity Must Be DefendedMiško Šuvakovic
- The Taming of the Turk: Ottomans on the Danish Stage 1596-1896Bent Holm1
- Ottoman Empire and European Theatre V: Gluck and the Turkish Subject in Ballet and Dance
- Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime
- Theatre and Modernity: From the Ottoman Empire to the Turkish RepublicAyşın Candan
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