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Astu tarinoiden maailmaan

Kuuntele missä ja milloin haluat

Dorothy Johnston

A young camel disappears from its trainer’s paddock and the coat of a murdered woman is found abandoned in the sand dunes. These seemingly unrelated events are a far cry from the regular police duties of Constable Chris Blackie and his rookie recruit from Melbourne, Anthea Merritt, in the small Australian seaside town of Queenscliff.

Little by little and with a burgeoning sense of menace, these two unlikely detectives carefully navigate the eclectic, often eccentric personalities of the town, as well as the disdain of law enforcement colleagues further afield, to uncover the unsettling truth.

Described as a ‘sea-change mystery’ Through a Camel’s Eye deftly juxtaposes the idyllic surroundings of a coastal Victorian town with the gravity of murder.

“Still, he looked for hoof prints, glad there was nobody to laugh at him for doing so. Chris shaded his eyes and squinted at a dark object, half covered in sand, then began to walk towards it. He should have been wearing sunglasses to protect his eyes, but he never thought of things like that. It was a woman’s coat, black, or at least it had been.”

Jennifer McDonald

For Pity Sake Publishing

A sea-change mystery

Through a Camel's Eye: A sea-change mystery

According to local legend, the historic Royal hotel in Queenscliff on Australia's Victorian coast is haunted. Having served as both a mental asylum and a morgue in the early days it could hardly fail to be, but a bizarre murder in the hotel's basement puts a decidedly eerie spin on things.

The victim is an academic, obsessed with spiritualism, the tarot and the town’s most famous literary resident, Henry Handel Richardson. From the outset, the local knowledge and unorthodox methods of Queenscliff’s police officers, Chris Blackie and Anthea Merritt, are ridiculed by the bull-necked Detective Inspector Masterson from Geelong’s CIU. And yet, hard-nosed police investigation practices seem ill-equipped to counter the otherworldly influences at play.

What DI Masterson believes is an open and shut case turns out to be anything but.

Anthea began creating a large cross with the cards. She looked up and smiled. ‘I tell you what’s ironic. I got into trouble for buying my own tarot pack and now Mrs Marr’s using the tarot to bamboozle the inspector. I’m the only one who’s done her homework and knows what the cards mean.’

Gerard Hardy’s Misfortune joins Through a Camel’s Eye and The Swan Island Connection as the latest, most intriguing instalment in Dorothy Johnston’s sea-change mystery series.

Gerard Hardy's Misfortune: A sea-change mystery