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Astu tarinoiden maailmaan

Kuuntele missä ja milloin haluat

Miquel de Palol

As if Borges wrote The Decameron

During an atomic alarm in Barcelona in the year 2025, the thirty-year old hero takes refuge in a luxurious mansion in the mountains where he is put up, along with other guests, awaiting the outcome of the conflict. For the following seven days the residents of the mansion spend their spare time reading and taking walks , and, above all, telling stories to each other. The narrators (most of whom belong to the generation thirty years older than the hero's) are eight in number, and the stories they tell can be taken as autonomous ones, although, as the novel advances, it may soon be that when juxtaposed, they do indeed weave a web of intrigue about a family of bankers—a web that gradually involves some of the guests in the mansion.

Dalkey Archive Press

Catalan Literature

The Garden of Seven Twilights

Adrian Nathan West

Francesc Trabal

First published in 1936, and considered one of the most innovative and significant novels written in Catalan, Waltz tells the tale of an idle, introspective, and somewhat oblivious young "man without qualities" as he stumbles through a milieu of civic upheaval and bourgeois tragedy as he waltzes from one prospective bride to another, never willing to compromise his ideals, and so never quite becoming an adult. 

With one foot in the romanticism of Goethe or Kleist, and another in the wildly differing takes on the modern novel provided by Aldous Huxley, James Joyce, and Marcel Proust, respectively, Waltz is an occasionally absurd comedy of indecision and indolence structured in imitation of the dance from which it takes its title.

Waltz

Martha Tennent

Salvador Espriu

One of the defining texts of twentieth-century Catalan fiction, written by one of its most innovative and cherished writers, Salvador Espriu's Ariadne in the Grotesque Labyrinth is a collection of thirty-four short stories in which the twists and turns of action, character, and place are as winding and sumptuous as the legendary maze of its title. Originally published in 1935 in the midst of great countrywide political and social upheaval, these stories are a mirror, a grotesque mirror, held up to Catalan and Spanish society. 

Infused with a deep sense of mythic power, blending social realism with lush modernist experiment, Ariadne in the Grotesque Labyrinth is a triumph of style. Perhaps best known for his poetry, Espriu's rich lyricism and highly evocative use of the Catalan language are here brought to life in the poet Rowan Ricardo Phillips's remarkable English language translation of a classic of world literature.

Ariadne in the Grotesque Labyrinth

Rowan Ricardo Phillips

Miquel Bauca

Carrer Marsala, which won prizes from the City of Barcelona and the Generalitat de Catalunya—neither of which Bauçà bothered to accept—is a relentless monologue delivered by a paranoid hypochondriac obsessed with dental hygiene, sex, and his own squalid rooms in Barcelona. In The Old Man, the narrator observes a strange building where a decrepit prisoner is ritually beaten by a policeman once a week. 

The Warden details the narrator's own captivity, and his relationship with the woman who keeps him prisoner. In Martha Tennent's haunting translation, reminiscent of a Mediterranean Beckett or Thomas Bernhard, Miquel Bauçà's work is a pungent reminder of the ways the world fails its prophets and pariahs.

The Siege in the Room

LlorenÃ§ Villalonga

A classic of contemporary Catalan literature, and a haunting and satirical portrait of a vanishing age, Llorenç Villalonga's The Dolls' Room concerns the decline of Don Toni and Dona Maria Antonia Bearn: aristocrats, cousins, husband and wife, and members of the decadent, age-old ruling class of the town that bears their name. Their story is told by the naïve family priest, Don Joan, who was taken under Don Toni's wing as a schoolboy. 

Describing the shabby grandeur of his benefactors' lives—their ancient, rundown family mansion, their grand but ruinous excursions to Paris and Rome, and the mysterious events that lead to their deaths—the humbly devout Joan is continually challenged, and perhaps titillated, by Don Toni's impious personality, his defiance of church authority, and his scandalous affairs. Partly condemning and partly admiring his devilish mentor, the pure-minded Don Joan's lurid "biography" of the Bearns is a testament to the eternal attractiveness of the libertine, and the lengths to which we go in justifying our own worst impulses.

The Dolls' Room

Deborah Bonner