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Astu tarinoiden maailmaan

Kuuntele missä ja milloin haluat

Peter Radford

Women have battled for a place in the male-dominated world of sports throughout the twentieth and early twenty-first centuries, overturning obstacles and highlighting the changing position of women in societies around the world. This has become one of the defining stories of our age and the central story of women’s sports. They Run with Surprising Swiftness tells a different and much older, forgotten story with many of the same themes. 

Sports have never been the sole preserve of men; women athletes have always been there. As this book shows, throughout the seventeenth and eighteenth centuries in Britain, women of all ages ran, fought, rode, played football, cricket, tennis, and other sports. They competed in tough, head-to-head events that required extraordinary endurance and skill. Though not labeled "athletic" at the time, these women performed feats that in our age would certainly earn that descriptor. They Run with Surprising Swiftness recognizes these remarkable athletes and their achievements and aims to restore them to their rightful place in the long history of women in sport.

University of Virginia Press

Peculiar Bodies

They Run with Surprising Swiftness: The Women Athletes of Early Modern Britain

Christopher Sten

Melville’s Other Lives is the first book-length study on The Piazza Tales—Herman Melville’s only authorized collection of short fiction published in his lifetime—and the first book to explore the rich and varied subject of embodiment in any published collection of Melville’s stories.

As Christopher Sten shows, all of the stories in The Piazza Tales present encounters between established white male figures: a writer, a lawyer, a ship captain, a homeowner, an architect, a world traveler, and characters who are outsiders, minorities, outcasts, or "others": a seamstress, an office drudge, enslaved Africans, a traveling salesman, island castaways, the poor. In each, Melville concentrates on the trials of the human body, its pain and trauma, its struggles and frustrations. Some tales concern common trials such as illness or invalidism ("The Piazza"), the tedium of office work ("Bartleby"), or the aggravation of door-to-door salesmen ("The Lightning-Rod Man"). Others concern extraordinary trials: the traumatic violence of a rebellion on a slave ship ("Benito Cereno"), the hardships of surviving on a wasteland archipelago ("The Encantadas"), the perils of creating a monstrous "man-machine" ("The Bell-Tower"). In their concern for the cultural meanings of such trials, Melville’s stories look forward to the work of Michel Foucault, Raymond Williams, and other cultural materialists who have shown how cultures define, control, and oppress bodies based on their otherness. As a storyteller, Melville understood how such cultural dynamics operate and seized on our collective obsession with the human body as subject, symbol, and vehicle to dramatize his tales.

Melville’s Other Lives: Bodies on Trial in The Piazza Tales

Will Visconti

Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself—as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers.

With Beyond the Moulin Rouge, the first substantive English-language study of La Goulue’s career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, fêted by royalty and followed as closely as any politician or monarch.

Visconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber’s diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century.

Peculiar Bodies: Stories and Histories

Beyond the Moulin Rouge: The Life and Legacy of La Goulue

Ula Lukszo Klein

Across the eighteenth century in Britain, readers, writers, and theater-goers were fascinated by women who dressed in men’s clothing—from actresses on stage who showed their shapely legs to advantage in men’s breeches to stories of valiant female soldiers and ruthless female pirates. Spanning genres from plays, novels, and poetry to pamphlets and broadsides, the cross-dressing woman came to signal more than female independence or unconventional behaviors; she also came to signal an investment in female same-sex intimacies and sapphic desires. Sapphic Crossings reveals how various British texts from the period associate female cross-dressing with the exciting possibility of intimate, embodied same-sex relationships. Ula Lukszo Klein reconsiders the role of lesbian desires and their structuring through cross-gender embodiments as crucial not only to the history of sexuality but to the rise of modern concepts of gender, sexuality, and desire. She prompts readers to rethink the roots of lesbianism and transgender identities today and introduces new ways of thinking about embodied sexuality in the past.

Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature

Chris Mounsey

The debut publication in a new series devoted to the body as an object of historical study, Sight Correction provides an expansive analysis of blindness in eighteenth-century Britain, developing a new methodology for conceptualizing sight impairment. Beginning with a reconsideration of the place of sight correction as both idea and reality in eighteenth-century philosophical debates, Chris Mounsey traces the development of eye surgery by pioneers such as William Read, Mary Cater, and John Taylor, who developed a new idea of medical specialism that has shaped contemporary practices. He then turns to accounts by the visually impaired themselves, exploring how Thomas Gills, John Maxwell, and Priscilla Pointon deployed literature strategically as a necessary response to the inadequacies of Poor Laws to support blind people. Situating blindness philosophically, medically, and economically in the eighteenth century, Sight Correction shows how the lives of both the blind and those who sought to treat them redefined blindness in ways that continue to inform our understanding today.