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Wayne Kyle Spitzer

“Wow,” said Annie, her arms tightening around his waist. “Are you feeling it too?”

He focused on a dark shape hovering just above the wheat—several dark shapes—like hummingbirds, but big. Something glinted blue-black in the sun. “What do you mean?”

“The mescaline … I’m still tripping, baby.” Her inner thighs constricted against his hips and he thought of the fantastic shag they’d shared in California—while standing doggie-style amidst the Vasquez Rocks, the famed location of so many westerns—and found the fact that she was hallucinating also reassuring, even if it did mean they were barreling down the Interstate at 74 mph while still under the influence. “Yeah. Me too. I’m going to pull over at the next rest stop until it passes.”

“DJ is expecting us at five. And it isn’t polite to keep the head of a motorcycle gang waiting. They’re my friends, Sammi. This is important to me.”

“God forbid, we miss a party. We’ll make it.”

“Not if we take too long at the rest stop … Jesus, I’m seeing dinosaurs back here. What the hell did Jackie give us?”

Her voice had dropped a couple octaves and the wind and engine noise were making it difficult to hear her. Not gave, he thought, a little resentfully. Sold. And the money’s starting to run out. “Say again?”

“Dude, I’m literally seeing dinosaurs. There’s, like, a T-Rex back there. Trying to eat a tractor.” She laughed.

He turned and looked over his shoulder, saw the tyrannosaur brushing its massive head against the cab of the combine, attempting to roll it over. There’s no way we can be seeing the same thing. There’s just no way except—

“Baby …!”

He spun around in time to see a blue-black thing, an insect, a dragonfly, which was at least as long as his forearm, hovering directly in their path—before it smashed against the windshield like a rock and splattered like a cantaloupe, hurling watery green blood and guts everywhere, some of which landed in Sammi’s mouth. And then they were careening out of control in the general direction of the gravel shoulder, and while he didn’t experience anything so dramatic as his life flashing before him, he did revisit, in a kind of time-out from time itself, the months since he’d received the Lotto payout and met Annie—a fast-living spitfire who was 29 to his 39 and whom he had nothing in common with beyond how well they got on sexually—and recognized in himself an increasing dissatisfaction with, well, all of it—the gambling, the drugs, the sex—everything. But then the time-out was over and they were laying on their side near the edge of the road—yet still in it—as the 18-wheeler bore down upon them, close enough so that Sammi could see the driver’s face, and thus knew the driver had noticed them too late.

Hobb's End Books

Tales from the Flashback

Tales from the Flashback: "Thunder Lizard Road"

There were three of them, their clawed hands and snouts covered in blood, only one of which had the strange comb of feathers that resembled a mohawk, and it was at precisely that instant that this one raised its head and apprehended her, its oil slick-colored crest rising and falling, its white eyes blinking—before it barked at the others as though issuing orders and rushed toward her, at which instant she climbed to her feet and swatted open the curtain to business class, and was about to sprint forward into first class when she realized there was a door directly next to her—a restroom!—and grabbed hold of its latch, which was locked. She pounded upon the door with her left fist even as she brought the revolver up with her right, and was about to squeeze off a shot at Mohawk’s snout, which had just appeared around the edge of the curtain, when the door suddenly opened and someone pulled her in—someone who quickly shut the hatch and locked it.

And then she was breathing heavily, trying to slow her heartrate which had raced out of control, as the raptors clawed at the door and gnashed their teeth, and a man in a pilot’s uniform placed his palm over her trembling gun hand and lowered the pistol slowly. Then everything just broke inside her and the tears started flowing, as she threw her arms around him and sobbed almost violently, all the while thinking how good it was, how very, very good, to no longer be alone.

Tales from the Flashback: "Raptors on a Plane"

He begins trembling violently, turning this way and that, knowing he cannot find the truck, knowing that if he did it would not make any difference, it would not stop the ground from rolling or the terrorists from coming or Tiangong-1 falling or Mt. Kilauea from erupting. It would not stop the transmission from bleeding or the windshield from cracking. It would not stop the projector from burning out, from leaving them all in blackness, to shiver and die alone. It would not stop time, either from marching forward or “flashing back”—nor the T. Rex and triceratops from appearing amongst the parked cars and continuing a fight begun 65-million years ago. It would not stop the strange storm front from rolling across the sky, or the mysterious lights within it—nothing could.

Tales from the Flashback: "The Drive-in That Time Forgot"

"Ha! The flu. You should see ‘em: pale and black-eyed as serpents, just lying there in the Rio Grande like zombies.” She leaned toward him over the bar again and he caught a whiff of her fragrance, and there was a stirring in his groin he hadn’t felt since, well, since he couldn’t remember.

“What do you mean, like zombies?”

“I mean like zombies, like men who are dead but still walking, or lying there staring at the ceiling. See, something attacked us only a few weeks after the Flashback … something … new. At first everyone just assumed it was a rogue raptor, because it didn’t have a pack—that was the first thing. But then it started talking, like a parrot, I suppose, saying things like ‘Pig’ and ‘Eggsucker,’” She laughed her contagious laugh. “Can you imagine? A raptor calling you names as it attacked you? Deputies Creebald and Teller put up one hell of a fight, you can be sure, and they did eventually kill it, with Rimshaw’s help, but all of them were wounded in the fight, and the deputies worst of all. After that, things started changing around here. At first it was just Creebald and Teller acting strangely, abusing their power, you might say, telling me not to forget to paint on my mole, or insisting Doc Allen wear that ridiculous little vest. But then Marshal Rimshaw started getting into the act, as well, and before any of us knew it we were living in a kind of police state. Decker was the only one who didn’t pile on, which is funny, because he was the only one not wounded in the fight with the raptor. It all came to a head when Deputy Teller had his way with one of the saloon girls—Molly, was her name—after which there was a full-blown shootout between the Marshal and his deputies—not Decker, he tried to maintain the peace—and the rest of the town.” She unscrewed the cap from a bottle of beer and took a swig, then concealed it behind the bar. “You didn’t see that. Anyway, the town didn’t fair so well, and now there’s a row of graves out by Serpent’s Butte.” She paused, locking her beautiful brown eyes up in his own. “They were good men, Williams. The best I’ve ever known. And now they’re just as dead as that raptor.” She snapped the bar towel in her hands and then wiped the counter. “And that’s why we all talk and dress this way.” She indicated his empty glass. “You want another?”

“Sure,” he said.

She pulled one from the wall and unscrewed its cap, sat it down in front of him.

At last she said, “So what about you? What’s your story? And how did you come to be travelling with an armored dinosaur?”

Tales from the Flashback | "The Ank Williams Story"

Erik peered out the window at the corpse, noticing how the falling snow was beginning to cover it, as it had his forgotten toys, and noticing, too, that the monsters, the velociraptors, which bore nothing in common with the plush toys he had in his bedroom, were nowhere to be seen. Nor were the lights of his father's car—or anything, for that matter; there was just the corpse (one hand of which seemed to reach for the sky like a twisted, dead tree branch) and the snow, which had whited out everything, rendered the world void.

"… this speaks for the most troubling aspect of what scientists are calling 'the Flashback': the sudden disappearance of people all over the world, including entire families …"

He looked at the sky, at the ceiling of snow clouds, amidst which the lights mentioned on the TV pulsed and glowed, bleeding in and out of each other, shifting colors, none of which he recognized, and knew in that instant—the instant before the raptor came crashing through the glass with its splayed feet first—that nothing would ever be the same; that he would never see his father and sister again and would never return to school and would never, ever be a boy, not even for an instant. And then the raptor did come, and he was knocked backward against the floor with a violence he could not have imagined, and after a moment there was a flurry of gunshots which blew the back of the animal's head apart so that its full weight fell upon him and he was spattered with blood and brains. And the last thing he saw before blacking out completely was the monster's dying eye, which stared into his own, an eye which contained in it the same colors as the lights in the sky—until they, too, faded and became as the dead.