Biblical Performance Criticism - De serie
- Serie
- 14
- Categorie
- Spiritualiteit
- Taal
- Engels
- Formaat
The ancient societies of the Bible were overwhelmingly oral. People originally experienced the traditions now in the Bible as oral performances. Focusing on the ancient performance of biblical traditions enables us to shift academic work on the Bible from the mentality of a modern print culture to that of an oral/scribal culture. Conceived broadly, biblical performance criticism embraces many methods as means to reframe the biblical materials in the context of traditional oral cultures, construct scenarios of ancient performances, learn from contemporary performances of these materials, and reinterpret biblical writings accordingly. The result is a foundational paradigm shift that reconfigures traditional disciplines and employs fresh biblical methodologies such as theater studies, speech-act theory, and performance studies. The emerging research of many scholars in this field of study, the development of working groups in scholarly societies, and the appearance of conferences on orality and literacy make it timely to inaugurate this series. For further information on biblical performance criticism, go to www.biblicalperformancecriticism.org.
Series Editor: David Rhoads
Biblical Performance Criticism-boeken op volgorde
- The Bible in Ancient and Modern Media: Story and Performance
- From Orality to Orality: A New Paradigm for Contextual Translation of the Bible James A. Maxey
- The Case for Mark Composed in Performance Antoinette Wire
- Orality and Literacy in Early Christianity Pieter Botha
- The Oral Ethos of the Early Church: Speaking, Writing, and the Gospel of Mark Joanna Dewey
- Text and Tradition in Performance and Writing Richard A. Horsley
- From Text to Performance: Narrative and Performance Criticisms in Dialogue and Debate
- The Messiah of Peace: A Performance-Criticism Commentary on Mark’s Passion-Resurrection Narrative Thomas E. Boomershine
- The Story of Naomi—The Book of Ruth: From Gender to Politics Terry Giles, William J. Doan
- Performance Criticism of the Pauline Letters Bernhard Oestreich
- Sound Matters: New Testament Studies in Sound Mapping
- First-Century Gospel Storytellers and Audiences: The Gospels as Performance Literature Thomas E. Boomershine
- The Forgotten Compass: Marcel Jousse and the Exploration of the Oral World
- Biblical Humor and Performance: Audience Experiences That Make Meaning
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