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الاستماع والقراءة

Kim Joo-Young

Louis Vinciguerra

Hailed by critics, Stingray has been described by its author as "a critical biography of my loving mother." With his father having abandoned his family for another woman, Se-young and his mother are forced to subsist on their own in the harsh environment of a small Korean farming village in the 1950s. Determined to wait for her husband's return, Se-young's mother hangs a dried stingray on the kitchen doorjamb; to her, it's a reminder of the fact that she still has a husband, and that she must behave as a married woman would, despite all. 

Also, she claims, when the family is reunited, the fish will be their first, celebratory meal together. But when a beggar girl, Sam-rae, sneaks into their house during a blizzard, the first thing she does is eat the stingray, and what follows is a struggle, at once sentimental and ideological, for the soul of the household.

Dalkey Archive Press

Library of Korean Literature

Stingray

Inrae You Vinciguerra

Hyun Ki-young

An autobiographical novel that takes a life to pieces, putting forward not a coherent, straightforward narrative, but a series of dazzling images ranging from the ordinary to the unbelievable, fished from the depths of the author's memory as well as from the stream of his day-to-day life as an adult author.

Interweaving flashes of the horrific Jeju Uprising and the Korean War with pleasant family anecdotes, stories of schoolroom cruelty, and bizarre digressions into his personal mythology, One Spoon on this Earth stands a sort of digest of contemporary Korean history as it might be seen through the lens of one man's life and opinions.

One Spoon on This Earth

Jennifer M. Lee

Jang Jung-il

First published in 1990, this is a sensational and highly controversial novel by one of Korea's most electrifying contemporary authors. A preposterous coming-of-age story, melding sex, death, and high school in a manner reminiscent of some perverse collision between Georges Bataille and Beverly Cleary, the narrator of this book plows through contemporaneous Korean mores with aplomb, bound for destruction, or maturity—whichever comes first.

When Adam Opens His Eyes

Horace Jeffery Hodges

Sun-Ae Hwang

Jung Mi Kyung

At once an ironic portrayal of contemporary Korea and an intimate exploration of heartache, alienation, and nostalgia, this collection of seven short stories has earned the author widespread critical acclaim. With empathy and an overarching melancholy that is at times tinged with sarcasm but always deeply meaningful, Jung explores the ambition and chaos of urban life, the lives of the lost and damaged souls it creates, and the subtle shades of love found between them.

My Son's Girlfriend

Yu Young-nan

Jung Young-moon

Considered an eccentric in the traditional Korean literary world, Jung Young-moon's short stories have nonetheless won numerous readers both in Korea and abroad, most often drawing comparisons to Kafka. Adopting strange, warped, unstable characters and drawing heavily on the literature of the absurd, Jung's stories nonetheless do not wallow in darkness, despair, or negativity. 

Instead, we find a world in which the bizarre and terrifying are often put to comic use, even in direst of situations, and point toward a sort of redemption to be found precisely in the "weirdest" and most unsettling parts of life …

A Most Ambiguous Sunday and Other Stories

Yewon Jung

Kim Won-il

An occasionally terrifying and always vivid portrayal of what it was like to live as a refugee immediately after the end of the Korean War. This novel is based on the author's own experience in his early teens in Daegu, in 1954, and depicts six families that survive the hard times together in the same house, weathering the tiny conflicts of interest and rivalries that spring up in such close quarters, but nonetheless offering one another sympathy and encouragement as fellow sufferers of the same national misfortune: brothers and sisters in privation.

House with a Sunken Courtyard

Ji-moon Suh

Lee Ki-ho

This story focuses on an agency whose only purpose is to offer apologies—for a fee—on behalf of its clients. This seemingly insignificant service leads us into an examination of sin, guilt, and the often irrational demands of society. A kaleidoscope of minor nuisances and major grievances, this novel heralds a new comic voice in Korean letters.

At Least We Can Apologize

Christopher Joseph Dykas

Yi Kwang-su

A major, never before translated novel by the author of Mujông / The Heartless—often called the first modern Korean novel—The Soil tells the story of an idealist dedicating his life to helping the inhabitants of the rural community in which he was raised. Striving to influence the poor farmers of the time to improve their lots, become self-reliant, and thus indirectly change the reality of colonial life on the Korean peninsula, The Soil was vitally important to the social movements of the time, echoing the effects and reception of such English-language novels as Upton Sinclair's The Jungle.

The Soil

Park Wan-suh

Well before her death in 2011, Park Wan-Suh had established herself as a canonical figure in Korean literature. Her work—often based upon her own personal experiences, and showing keen insight into divisive social issues from the Korean partition to the position of women in Korean society—has touched readers for over forty years. In this collection, meditations upon life in old age come to the fore—at its best, accompanied by great beauty and compassion; at its worst by a cynicism that nonetheless turns a bitter smile upon the changing world.

Lonesome You

Elizabeth Haejin Yoon

Eunjin Jang

Communication—or the lack thereof—is the subject of this sly update of the picaresque novel. 

No One Writes Back is the story of a young man who leaves home with only his blind dog, an MP3 player, and a book, traveling aimlessly for three years, from motel to motel, meeting people on the road. Rather than learn the names of his fellow travelers—or even invent nicknames for them—he assigns them numbers. There's 239, who once dreamed of being a poet, but who now only reads her poems to a friend in a coma; there's 109, who rides trains endlessly because of a broken heart; and 32, who's already decided to commit suicide. The narrator writes letters to these men and women in the hope that he can console them in their various miseries, as well as keep a record of his own experiences: "A letter is like a journal entry for me, except that it gets sent to other people." No one writes back, of course, but that doesn't mean that there isn't some hope that one of them will, someday...