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Jeff Fields

“An authentic cry of American innocence . . . The author seizes the reader with a Southern gift for storytelling and never lets go.”—Time Magazine
 
 It is the mid-1950s in Quarrytown, Georgia. In the slum known as the Ape Yard, hope’s last refuge is a boardinghouse where a handful of residents dream of a better life. Earl Whitaker, who is white, and Tio Grant, who is black, are both teenagers, both orphans, and best friends. In the same house live two of the most important adults in the boys’ lives: Em Jojohn, the gigantic Lumbee Indian handyman, is notorious for his binges, his rat-catching prowess, and his mysterious departures from town. Jayell Crooms, a gifted but rebellious architect, is stuck in a loveless marriage to a conventional woman intent on climbing the social ladder.
 
 Crooms’s vision of a new Ape Yard, rebuilt by its own residents, unites the four—and puts them on a collision course with a small-town Machiavelli who rules the community like a feudal lord. Jeff Fields’s exuberantly defined characters and his firmly rooted sense of place have earned A Cry of Angels an intensely loyal following. Its republication, more than three decades since it first appeared, is cause for celebration.
 
 “A humdinger . . . even better than To Kill a Mockingbird . . . funny, touching, and gripping.”—Chicago Daily News
 
 “Heartwarming . . . We find ourselves wondering why delightful novels like this aren’t written anymore, and grateful that this one has come along to fill the void.”—The New York Times
 
 “A flooded-with-life novel with a story to tell and characters to be cherished.”—Boston Sunday Globe

University of Georgia Press

Brown Thrasher Books Ser.

A Cry of Angels: A Novel

William Garrett Piston

In the South, one can find any number of bronze monuments to the Confederacy featuring heroic images of Robert E. Lee, Stonewall Jackson, J. E. B. Stuart, and many lesser commanders. But while the tarnish on such statues has done nothing to color the reputation of those great leaders, there remains one Confederate commander whose tarnished image has nothing to do with bronze monuments. Nowhere in the South does a memorial stand to Lee's intimate friend and second-in-command James Longstreet.

In Lee's Tarnished Lieutenant, William Garrett Piston examines the life of James Longstreet and explains how a man so revered during the course of the war could fall from grace so swiftly and completely. Unlike other generals in gray whose deeds are familiar to southerners and northerners alike, Longstreet has the image not of a hero but of an incompetent who lost the Battle of Gettysburg and, by extension, the war itself. Piston's reappraisal of the general's military record establishes Longstreet as an energetic corps commander with an unsurpassed ability to direct troops in combat, as a trustworthy subordinate willing to place the war effort above personal ambition. He made mistakes, but Piston shows that he did not commit the grave errors at Gettysburg and elsewhere of which he was so often accused after the war.

In discussing Longstreet's postwar fate, Piston analyzes the literature and public events of the time to show how the southern people, in reaction to defeat, evolved an image of themselves which bore little resemblance to reality. As a product of the Georgia backwoods, Longstreet failed to meet the popular cavalier image embodied by Lee, Stuart, and other Confederate heroes. When he joined the Republican party during Reconstruction, Longstreet forfeited his wartime reputation and quickly became a convenient target for those anxious to explain how a "superior people" could have lost the war. His new role as the villain of the Lost Cause was solidified by his own postwar writings. Embittered by years of social ostracism resulting from his Republican affiliation, resentful of the orchestrated deification of Lee and Stonewall Jackson, Longstreet exaggerated his own accomplishments and displayed a vanity that further alienated an already offended southern populace.

Beneath the layers of invective and vilification remains a general whose military record has been badly maligned. Lee's Tarnished Lieutenant explains how this reputation developed—how James Longstreet became, in the years after Appomattox, the scapegoat for the South's defeat, a Judas for the new religion of the Lost Cause.

Lee's Tarnished Lieutenant: James Longstreet and His Place in Southern History

Melton A. McLaurin

In Separate Pasts Melton A. McLaurin honestly and plainly recalls his boyhood during the 1950s, an era when segregation existed unchallenged in the rural South. In his small hometown of Wade, North Carolina, whites and blacks lived and worked within each other's shadows, yet were separated by the history they shared. Separate Pasts is the moving story of the bonds McLaurin formed with friends of both races—a testament to the power of human relationships to overcome even the most ingrained systems of oppression.

A new afterword provides historical context for the development of segregation in North Carolina. In his poignant portrayal of contemporary Wade, McLaurin shows that, despite integration and the election of a black mayor, the legacy of racism remains.

Separate Pasts: Growing Up White in the Segregated South