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António Lobo Antunes

- Odds for António Lobo Antunes winning Nobel Prize as determined by Ladbrokes (a leading UK betting firm): 20/1

- António Lobo Antunes has won dozens of prestigious international literary awards.

Warning to the Crocodiles (Exortação aos Crocodilos) has won:
- Best Novel by the Portuguese Writers Association (Grande Prémio de Romance e Novela da Associação Portuguesa de Escritores) (1999)
- The D. Dinis Prize of the Casa de Mateus Foundation (Prémio D. Dinis da Fundação Casa de Mateus) (1999)
- The Austrian State Literature Prize (Prémio de Literatura Europeia do Estado Austríaco) (2000)

Dalkey Archive Press

Portuguese Literature

Warning to the Crocodiles

Karen C. Sherwood Sotelino

GonÃ§alo M. Tavares

Continuing Tavares's award-winning "Kingdom" series (begun in Jerusalem, winner of the Saramago Prize), Joseph Walser's Machine recounts a life of bizarre routines and patterns. Routine humiliation at a factory; routine maintenance of the world's most esoteric collection; and the most important routine of all: the operation of a mysterious machine on a factory floor. 

Yet all of Joseph Walser's routines are violently disrupted when his city is occupied by an invading army, leaving him faced with political intrigues, marital discord, and finally, one last, catastrophic confrontation with his beloved machine.

Joseph Walser's Machine

Rhett McNeil

AntÃ³nio Lobo Antunes

The Splendor of Portugal's four narrators are members of a once well-to-do family whose plantation was lost in the Angolan War of Independence; the matriarch of this unhappiest of clans and her three adult children speak in a nightmarish, remorseless gush to give us the details of their grotesque family life. Like a character out of Faulkner's decayed south, the mother clings to the hope that her children will come back, save her from destitution, and restore the family's imagined former glory. 

The children, for their part, haven't seen each other in years, and in their isolation are tormented by feverish memories of Angola. The vitriol and self-hatred of the characters know no bounds, for they are at once victims and culprits, guilty of atrocities committed in the name of colonialism as well as the cruel humiliations and betrayals of their own kin. Antunes again proves that he is the foremost stylist of his generation, a fearless investigator into the worst excesses of the human animal.

The Splendor of Portugal