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Margery Allingham

A custom-made killer shocks the fashionable London set in “one of the finest murder books ever written” featuring gentleman sleuth Albert Campion (The New Yorker).
 
 Albert Campion’s sister is a success in her own right. A top fashion designer, she works for a legendary couturier and dresses Georgia Wells, the best-dressed actress in the world. Albert also has a connection to Georgia, but his is based on failure, not success. Georgia’s former fiancé disappeared nearly three years ago, and Campion has never been able to find him. Until now . . .
 
 The victim’s remains—discovered by Campion in a deserted country house—point to suicide. But the man’s father assumes it was foul play. In a rarified world of wealth and privilege where silence and secrets can be bought, the investigation won’t be easy, especially when another death takes center stage. This time, the victim is Georgia’s current husband—and starring in the role of prime suspect: Albert’s sister.
 
“Top ranking whodunit in Dorothy Sayers tradition . . . Plus sale for non-mysteryites as first rate novel of fashionable London. Suspense—humor—well planned, well written.” —Kirkus Reviews
 
Praise for Margery Allingham
 
 “Margery Allingham stands out like a shining light.” —Agatha Christie
 
 “The best of mystery writers.” —The New Yorker
 
 “Allingham was a rare and precious talent.” —The Washington Post
 
 “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent

Open Road Media Mystery & Thriller

The Albert Campion Mysteries

The Fashion in Shrouds

“Wonderfully plotted . . . A marvelous mixture of witchcraft, sacred relics and ancient oaths. [Allingham was a] rare and precious talent.” —The Washington Post
 
 Estranged from his father, young Percival St. John Wykes Gyrth wanders the streets of London, penniless and homeless, until he’s lured to the house of gentleman sleuth Albert Campion. An underground ring of the most powerful and wealthy art collectors in the world have turned their attention to the Gyrth Chalice, a state treasure guarded by the family for centuries.
 
 To stop its theft, Campion and Val head back to the family seat in Suffolk, where folklore and ancient superstitions abound—and where, in its supposedly haunted woods, Val’s aunt is found literally scared to death. With Val’s coming-of-age ritual approaching—in which he is initiated into the secret of the Chalice—Campion must sort through new religion followers, landed gentry, suspicious villagers, and a cast of London’s ne’er-do-wells for suspects, all while putting his own life on the line.
 
Praise for Margery Allingham
 
 “Margery Allingham stands out like a shining light.” —Agatha Christie
 
 “The best of mystery writers.” —The New Yorker
 
 “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent
 
 “One of the finest Golden-Age crime novelists.” —The Sunday Telegraph
 
 “Spending an evening with Campion is one of life’s pure pleasures.” —The Sunday Times

Look to the Lady

“The Tiger in the Smoke is a phenomenal novel.” —J. K. Rowling

A fog is creeping through the weary streets of London—so too are whispers that the Tiger is back in town, undetected by the law, untroubled by morals. And the rumors are true: Jack Havoc, charismatic outlaw, knife-wielding killer, and ingenious jail-breaker, is on the loose once again.

As Havoc stalks the smog-cloaked alleyways of the city, it falls to Albert Campion to hunt down the fugitive and put a stop to his rampage—before it’s too late . . .

“Allingham’s work is always of the first rank.” —The New York Times

The Tiger in the Smoke

“Margery Allingham stands out like a shining light. And she has another quality, not usually associated with crime stories, elegance.” —Agatha Christie

Timothy Kinnit is rich, handsome, and successful, but his past is a mystery to him. When he learns, on the eve of his elopement, that he is adopted, he must question everything he thought he knew.

In desperate search of answers, Kinnit calls on private detective Albert Campion to shed some light on his past, and how it connects him to the notorious Turk Street Mile slum. Meanwhile, his illustrious adopted family has a sinister secret of its own—involving a murderous nineteenth-century governess—that must also be brought to light by Campion’s investigations.

“Allingham is very, very good and those who are not familiar with her have a discovery awaiting them.”—Los Angeles Times

The China Governess

Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker).

A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End.

Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph).

“Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky

“Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement

Hide My Eyes

Murder darkens the bright days of summer in an idyllic Suffolk village, in an Albert Campion mystery that is simply “unforgettable” (A.S. Byatt).

Private detective Albert Campion’s glorious summer in Pontisbright is blighted by death. Amidst the preparations for Minnie and Tonker Cassand’s fabulous summer party, a murder is discovered—and it falls to Campion to unravel the intricate web of motives, suspicion and deception.

Danger is hardly unknown in this idyllic rural village, but it is a less romantic peril than Campion faced on his first visit, more than twenty years ago . . .

“My very favourite of the four Queens of Crime is Allingham.” —J. K. Rowling

“Margery Allingham has precious few peers and no superiors.” —The Sunday Times

“Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky

The Beckoning Lady

Murder takes center stage when a song-and-dance man is targeted, in an Albert Campion whodunit from “the best of mystery writers” (The New Yorker).

When entertainer Jimmy Sutane falls victim to a string of malicious practical jokes, there’s only one man who can get to the bottom of the apparent vendetta against the music hall darling—gentleman sleuth Albert Campion. Soon, however, the backstage pranks escalate, and an aging starlet is killed. Under pressure to uncover the culprit and plagued by his growing feelings for Sutane’s wife, Campion finds himself uncomfortably embroiled in an investigation which tests his ingenuity—and integrity—to the limit.

“Allingham’s work is always of the first rank.” —The New York Times

Dancers in Mourning

A mysterious invention causes mayhem in a coastal English village—from “my very favourite of the four Queens of Crime” (J. K. Rowling).

The ancient hamlet of Saltey, once the haunt of smugglers, now hides a secret rich and mysterious enough to trap all who enter . . . and someone in town is willing to terrorize, murder, and raise the very devil to keep that secret to themselves.

When a transistor thought to be the key to telepathic communication is found, Albert Campion is called to sort fact from fiction. But the device at the center of the mystery is in the possession of two schoolboys, and whether they stole it or invented it, there are others who will kill to get hold of it.

“Allingham has a strong, well controlled sense of humour, a power of suggesting character with a few touches and an excellent English style. She has a sense of the fantastic, and is never dull” —Times Literary Supplement

The Mind Readers

“Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky

World War II is limping to a close and private detective Albert Campion has just returned from years abroad on a secret mission. Relaxing in his bath before rushing back to the country, and to the arms of his wife, Amanda, Campion is disturbed when his servant, Lugg, and a lady of unmistakably aristocratic bearing appear in his flat carrying the corpse of a woman.

The reluctant Campion is forced to put his powers of detection to work as he is drawn deeper into the case, and into the eccentric Caradocs household, dealing with murder, treason, grand larceny, and the mysterious disappearance of some very valuable art. 

“Margery Allingham deserves to be rediscovered.” —P.D. James

“Margery Allingham was one of the greatest mid-20th-century practitioners of the detective novel.” —Alexander McCall Smith

Coroner's Pidgin

Gentleman sleuth Albert Campion tries to solve the murder of a prominent publisher in this “vivid and witty” British mystery (The New York Times).

Scandal hits the prestigious publishing house of Barnabas when one of the directors is found dead in a locked cellar. All eyes are on the other partners at the firm—cousins of the dead man with much to gain from his demise—and all rumors hint at a connection to the disappearance of another director decades earlier. Desperate to salvage their reputation, the cousins turn to Albert Campion—but will his investigations clear the Barnabas family name, or besmirch it forever?

“My very favourite of the four Queens of Crime is Allingham.” —J. K. Rowling

“Ms. Allingham has a strong, controlled sense of humour and is never dull.” —Times Literary Supplement