Shortlisted for the Women's Prize for Fiction!
""Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know."" — Ann Patchett
The internationally bestselling sensation, a compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that Emma Straub has named one of her favorite books of the year
Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out.
Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks.
And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her.
But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.
© 2021 HarperAudio (Audiolibro): 9780063049611
Data di uscita
Audiolibro: 9 febbraio 2021
Shortlisted for the Women's Prize for Fiction!
""Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know."" — Ann Patchett
The internationally bestselling sensation, a compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that Emma Straub has named one of her favorite books of the year
Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out.
Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks.
And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her.
But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.
© 2021 HarperAudio (Audiolibro): 9780063049611
Data di uscita
Audiolibro: 9 febbraio 2021
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Daria
8 ago 2023
brilliant, i’m literally speechless 😶❤️
Jessica
1 gen 2023
Absolutely brilliant.
Kata
14 apr 2022
I though its gonna be something entirely different. First i was annoyed by it, but then it just grew more and more deep, real and touchable. My heart hurts for the characters, but im also so proud of them. I think this books helps to get closer to understanding and empathizing with people who suffer for mental illness - a role still much needed!
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