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One autumn night in the eighties a young Irishman of twenty-seven, who had passed most of his life in Germany, took his place in the orchestra pit of the Metropolitan Opera House to play the cello. His name was Victor Herbert. He had just arrived in New York, and from his obscure seat he looked around curiously at the mass of faces glowing weirdly in the vast, dim auditorium. He felt a symbolic force in the crowding immensity of the place, in the numerous dazzling points of light that leaped back from the precious stones on the hands and breasts of the women who sat in the two great curving tiers of boxes. What future was he to have in this land? The conductor emerged from the depths beneath the stage to his eminence on the podium. Applause rolled over the heads of the musicians below him. He raised his baton and the opera began. Twenty-five years later, the same immigrant heard from the stage of the same theatre the performance of an opera he himself had written. Similar rolls of applause came from the audience, but this time not to pass over his head in the pit. The acclaim was for him, a tribute to his artistry. Thus, in the romantic fashion, may be outlined the beginning and the climax of the career of the most popular composer of light opera to be developed in the American theatre. And of one of the most beloved figures who ever made the rounds of Broadway.
© 2020 Wrangell-Rokassowsky Press (전자책 ): 9781528760928
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전자책 : 2020년 8월 6일
국내 유일 해리포터 시리즈 오디오북
5만권이상의 영어/한국어 오디오북
키즈 모드(어린이 안전 환경)
월정액 무제한 청취
언제든 취소 및 해지 가능
오프라인 액세스를 위한 도서 다운로드
친구 또는 가족과 함께 오디오북을 즐기고 싶은 분들을 위해
2-3 계정
무제한 청취
2-3 계정
무제한 청취
언제든 해지하실 수 있어요
2 개 계정
17900 원 /월한국어
대한민국