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Stig Sæterbakken

The second volume in Stig Saeterbakken's loosely connected "S Trilogy" Self-Control moves from the dark portrait of co-dependent marriage featured in the acclaimed Siamese to a world of solitary loneliness and repression. A middle-aged man, Andreas Feldt, feeling that he is unable to communicate with his adult daughter over the course of a friendly lunch, announces on an inexplicable whim that he is going to get a divorce. 

Though his daughter is initially shocked, she quickly assimilates this information and all returns to normal. Faced with this virtual invisibility—for no matter what actions he takes, the world seems to take no notice—Andreas is cut adrift from the certainties of his life and forced to navigate through a society where it seems virtually everyone is only one loss of self-control away from an explosion of dissatisfaction and rage.

Dalkey Archive Press

Norwegian Literature

Self-Control

Seán Kinsella

Tor Ulven

Tor Ulven is one of the most renowned Norwegian authors of the twentieth century, beginning his career writing poetry and ending it with unclassifiable explorations of the possibilities of prose, reminiscent of writers such as Ingeborg Bachmann and Peter Handke. Replacement, his only novel, published two years before Ulven's suicide, is a miniature symphony, wherein the perspectives of unrelated characters are united into what seems a single narrative voice: each personality, directing the book in turn; each replacing its predecessor and forming another link in a chain leading nowhere. 

These people reminisce, reflect, observe, and talk to themselves; each stuck in their respective traps, each dreaming of escape. A masterpiece of compression and confession, Replacement dramatizes the tension between the concrete realities we think we cannot alter, and our interior lives, where we feel anything might still be possible.

Replacement

Kerri A. Pierce

Kjersti A. Skomsvold

Mathea Martinsen has never been good at dealing with other people. After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband's watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won't notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life "must be lived to the fullest."

The Faster I Walk, The Smaller I Am