Iris Pinson

Seductive sisters, pristine facade conceals dark desires. Privileged life descends into sin's grip. Demonic wagon drives them to the inferno.

Black-box Testing

An erotic triptych depicting sin, starting with the original sin, ending in hell. Inspired by the Haywain Triptych by the Dutch painter Jheronimus Bosch.

How does the paradisiacal innocence relate to guilt? Lila, Péar, and Victoria Van Gelre are three sisters who have it all. They are attractive, highly intelligent, articulate, and have a strong appeal to men of status. However, the ladies are selective and only receptive to men of good lineage, who also have wealth to spare.
The three girls don't know any better. From a young age, their mother Margaret, a successful Euro Commissioner, has done everything in her power to provide her daughters with a privileged start in life.
In the college life of Wichita, USA, Victoria is adored for her European aristocratic attitude. Working as an appraiser at Kingston Real Estate, Lila follows a career path lined with gold. Their sister Péar is a talented swimmer who pushes herself to the limit to claim the coveted gold medal at the Olympic Games.

The Van Gelre family symbolizes the allegorical representation surrounding a haywagon, where everyone eagerly tries to secure their share. Unfortunately, the cart is pulled by demons, gradually leading the unsuspecting, hay-blinded family towards the abyss. The dignitaries are not impartial resources, which leads the sinners, one by one, over a bridge into hell.

Pinson Publisher

Black-box Testing: Career, Eroticism, and Tragedy

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