Charles River Editors

Edgar Allan Poe was one of America’s first native-born professional authors, but he nevertheless embodied the now-common archetype of the artist — dark, tortured, brilliant and tragic. Born into troubled conditions, Poe’s life hardly improved over the years, and when it did, his happiness or triumph was always brief. His work was lauded during his lifetime, but his lifestyle never came close to matching the legacy that would swell in the decades following his death. And that untimely end, so mysterious and pathetic, was an event that only Poe or Fate could have been macabre enough to script. However, in spite of (or perhaps because of) all of his suffering, Poe remains one of the great forces in American literature, particularly during its formative years. He was a pioneer of multiple literary traditions, including the gothic, horror, dark Romanticism, detective, satire, hoax and science fiction genres. 

 There is no greater accolade for a writer than for their name to become an adjective. For example, any story that deals with a dystopian future is likely to be called “Orwellian” following the success of the novel 1984 by English writer George Orwell. But within the horror genre, Lovecraft’s work, filled with madness and brooding menace and set in a semi-fictional world of his own creation, gave rise to the use of the term “Lovecraftian” to describe similar works. Despite this accolade, however, Lovecraft achieved almost no commercial success and very little recognition during his lifetime. His output also seems disproportionately small compared to his current influence - he never wrote a full-length novel, and most of his fiction took the form of short stories published in various magazines. It was only after his death that his fiction was regarded as more significant than the bulk of horror fiction written in the 1920s and 1930s.