Spectral Spain: Haunted Houses, Silent Spaces and Traumatic Memories in Post-Franco Gothic Fiction
Gothic Mētis: Cunning Monstrosity, Shapeshifting and Subversion linking the Nineteenth Century to the Present
The Brontës as Gothic Writers: “The Afflicted Imagination”
Spectral Spain: Haunted Houses, Silent Spaces and Traumatic Memories in Post-Franco Gothic Fiction
Gothic Mētis: Cunning Monstrosity, Shapeshifting and Subversion linking the Nineteenth Century to the Present
The Brontës as Gothic Writers: “The Afflicted Imagination”
Sarja
58
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The werewolf is an increasingly popular subject of academic study, and several monographs have been published in recent years. Of these, the closest in format and subject matter (e.g. the contemporary werewolf in popular fiction) are as follows:

Chantal Bourgault Du Coudray, The Curse of the Werewolf: Fantasy, Horror, and the Beast Within (New York: I.B. Tauris & Co Ltd, 2006)

Brent A. Stypczynski, The Modern Literary Werewolf: A Critical Study of the Mutable Motif (Jefferson, NC and London: McFarland, 2013)

Kimberly McMahon-Coleman and Rosalyn Weaver, Werewolves and Other Shapeshifters in Popular Culture (Jefferson NC: McFarland, 2012)

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Cover for Spectral Spain: Haunted Houses, Silent Spaces and Traumatic Memories in Post-Franco Gothic Fiction