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The Quint

'Do I Like It?' tries to flip the classical format of movie and music reviews with a passionate, 'fan-first' approach. We believe that in this age of the internet, no one is an authority on what is considered good art. We are just fans who are passionate about content. And 'Do I Like It?' is a fan telling another fan why they like or dislike a piece of content. No unnecessary high brow snobbery.

Prateek Lidhoo is a podcaster, rapper, music producer, screenwriter and an overall nerd about all audio visual content. His hobbies include analysing films frame-by-frame to extract the last ounce of subtext from them. With this podcast, he likes to maintain a fun, yet passionate lens with which he talks about movies and music.

Do I Like It?

Suno sunaao, aaya Prabh Deep. In this episode of 'Do I Like It', Prateek Lidhoo talks to one of the most creative artists of Indian hip hop, Prabh Deep. He just dropped his new mixtape 'DSP', and is all set for more music in the future. Watch this exclusive interview about the musicaln influences behind his albums 'Class Sikh', 'Tabia' and 'King EP'. He opens up about his time at Azadi Records, why he doesn't talk about it in media, and what young artists can do when the music industry gets involved. As we read out some of his lyrics, Prabh reflects on whether rappers should write about political issues in their raps. Watch till the end. 

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Prabh Deep talks DSP, Indian Hip Hop, Sez on the Beat, Azadi Records

In this episode of 'Do I Like It', rapper MC Square talks about why asserting his caste identity is important to him, what being a gurjar means, and why it is important for artists to take a political stand. MC SQUARE is in the house with Gurjar HB, Mandeep Singh, Mark Bhatia, ZeroToOne and Skymerijaan, who make up the crew 'FEROZI'. Listen till the end for a fire cypher by the Ferozi gang, with our inhouse beatboxer 'Noir BBX'.
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MC SQUARE talks about Hustle 2.0, 'FEROZI', Haryanvi Music, Caste Identity

In this episode of Do I Like It, we dive into the incredible journey behind the making of 'Tumbbad', a 2018 mystical horror masterpiece, which was re-released last week. Created by Rahi Anil Barve, Adesh Prasad, Sohum Shah, and Anand Gandhi, this film took years of perseverance, struggle, and a 'no compromises' attitude to come to life. From dealing with constant rain to building a breathing womb, the making of 'Tumbbad' is as legendary as the film itself. Join me as I explore why 'Tumbbad' is a cinematic miracle that continues to captivate audiences—even years after its release.
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The Incredible Story Behind Making 'Tumbbad'

A film’s ending can leave a lasting impression, but what if the final moments were different? In this episode of 'Do I Like It', Prateek Lidhoo is breaking down some of cinema’s most interesting alternate endings and how they affect the overall story. From Sholay’s legendary climax to Rang De Basanti's powerful message, we'll show you why these films almost ended in unexpected ways. Which version do you think works better? Let us know in the comments.
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Did You Know the Original Climax of these Films?

In this episode of 'Do I Like It', Prateek Lidhoo talks to one of the weirdest artists of Indian hip-hop (in a good way, we promise). Chaar Diwaari is in the house to talk about his new single 'LOVESEXDHOKA', a song that was originally made for Dibakar Banerjee's film 'LSD 2'. 
He also talks about growing up with the internet, maturing as an artist, and dropping out of music school. Listen to the full interview to find out why he learnt to play tabla for three years.
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'I was a Proper Incel': Chaar Diwaari on Internet Culture, Upcoming EP

In this episode of 'Do I Like It', Prateek Lidhoo talks to one of the most impactful artists of Indian hip hop, Yo Yo Honey Singh. He talks about his comeback as a producer, the writing process of his album 'Glory', and whether he has used ghostwriters in the past. Watch till the end to find out updates about his much anticipated album 'International Villager 2'.
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Honey Singh on 'Glory', Mafia Mundeer, Ghostwriting, 'International Villager 2'

In this episode of Do I Like It, we dive deep into the world of film adaptations, focusing on the Bollywood film Laal Singh Chaddha and how it reimagines the Hollywood classic Forrest Gump for an Indian audience. From cultural nuances to character transformations, we explore what it takes to Indianize a beloved story like Forrest Gump. Join me as I break down the elements that worked, the ones that didn’t, and why I believe Laal Singh Chaddha is a commendable adaptation despite its flaws. Let’s discuss the challenges of remaking a culturally rooted film and how Laal Singh Chaddha navigates these complexities. What are your thoughts on Forrest Gump and its Indian counterpart? Share your views in the comments below!
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Why ‘Laal Singh Chaddha’ is the Best Possible Adaptation of ‘Forrest Gump’

In this episode of 'Do I Like It', we dive into the enigmatic world of 'Barzakh', the new web series starring Fawad Khan, Sanam Saeed, and Salman Shahid. We explore the themes, religious imagery, and intricate storytelling that make this Indo-Pakistani co-production a unique viewing experience. From spiritual metaphors to complex world-building, find out why this series demands more than just casual watching. Tune in for a spoiler-free guide to this intense narrative. Leave a comment if you'd like a full spoiler deep dive—12 chosen buzurgs might just make it happen!
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Why 'Barzakh' is Unlike Any Other Web Series: A Deep Dive

In this episode of 'Do I Like It,' Prateek Lidhoo dives into the explosive success of Hanumankind's track 'Big Dawgs,' which has taken the international hip hop community by storm. With a Texas-influenced sound and a video that's a perfect blend of desi and global elements, this Bangalore-based rapper is making waves far beyond India's borders. We analyse what makes this track stand out, from its Southern American flow to its raw video. Tune in to hear why even OGs like Project Pat are sharing this banger and what it means for the future of Desi Hip Hop.
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Hanumankind’s 'Big Dawgs': The Indian Rapper Who Took Over American Hip Hop

In this episode of 'Do I Like It,' we explore why some films are still shot in black and white in the age of high-definition color. From the classic film noir era to contemporary examples like 'Bheed' and 'Kota Factory,' discover how black and white can give a unique visual tone and emotional depth to a film. We delve into iconic uses in 'Schindler’s List,' 'Oppenheimer,' and even Mammootty's film, 'Bramayugam.' Tune in as Prateek Lidhoo takes you through the artistic and emotional reasons behind this timeless cinematic choice. Join the conversation in the comments!
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Why do Modern Films Still Use Black and White?

Writer-director Jayant Digambar Somalkar’s debut Marathi feature film Sthal (A Match) opens with a dream sequence. Savita, a young girl in her early 20s, sits with 10 other women in a small room and interviews a potential suitor. She is assertive, the women around her are giggling, and they are free.

Simple, yet far-fetching, the dream remains just that. And it sets the tone for the film ahead. Sthal is the only Indian film to have been selected for the festival’s Discovery Programme this year. 
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Sthal Movie Review: Lesson on Patriarchy Without the Preachiness

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