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Hrishikesh Hirway


Song Exploder is a podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made. Each episode features an artist discussing a song of theirs, breaking down the sounds and ideas that went into the writing and recording. Hosted and produced by Hrishikesh Hirway.


Song Exploder

Hot Chip is a band from London made up of Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. Their second album, The Warning, came out in 2006. It was nominated for a Mercury Prize, and named one of the best albums of the year by NME and Pitchfork. And later, NME would include it in their list of best albums of all time. For this episode, I talked to them about one of the songs from The Warning called “Boy From School.” You might have heard it in the second season of the show Beef on Netflix—the band’s also in the show—or you might have heard it on The Simpsons. You could have also heard the song in my car all the time in 2006. So I was very excited to talk to Alexis and Joe from Hot Chip about how “Boy from School” was made.

For more info, visit songexploder.net/hot-chip.

Hot Chip - Boy From School

My guest today is the bestselling author Emma Straub. Her books include 'This Time Tomorrow,' 'Modern Lovers,' 'The Vacationers,' and more. And with her husband, Michael Fusco, she co-owns the beautiful Brooklyn bookstore Books Are Magic.

I'm so thrilled to have her on because, not only is she a wonderful writer, but Key Change is a series about music fandom and identity. And Emma's newest novel 'American Fantasy' is also about music fandom and identity. That story is set on a cruise ship centered around a nineties boy band and their fans.

But today, Emma's going to tell me her story about her own relationship with the music of The Magnetic Fields. Stephin Merritt from the Magnetic Fields was just named one of the greatest living American songwriters by the New York Times, and Emma’s introduction to their music was their 1999 triple album, '69 Love Songs.' 

For more info, visit songexploder.net/emma-straub.

Key Change: Emma Straub

The xx formed in 2005, when they were still in high school. They signed to the UK label Young, and put out their first album in 2009. It won the prestigious Mercury Prize, and was named one of the best albums of the year by Rolling Stone, Pitchfork and more. Since then, the Guardian has named it one of the best albums of the 21st century. This year, the three band members, Romy Croft, Oliver Sim, and Jamie xx played together as The xx for the first time in 8 years. I spoke to them in between the weekends at Coachella, where they were opening their sets with the song “Crystalised.” It’s the first song they ever released, back in April 2009, when the lineup also included Baria Qureshi on guitar. I spoke to Romy, Jamie and Oliver, here at my studio, about how they first found each other, and how they made “Crystalised.”

For more info, visit songexploder.net/the-xx.

The xx - Crystalised

The legendary singer/songwriter Yusuf / Cat Stevens released his first album in 1967. He’s a member of the Rock & Roll Hall of Fame, and his albums have sold millions. In 2020, he released Tea for the Tillerman², a re-imagining of his hit 1970 album Tea for the Tillerman. In the song “Father & Son,” he sings a duet between the two title characters, doing both voices. But in the 2020 version, he approached this song in a kind of astonishing way—he recorded the part of the father, but for the part of the son, he used a live recording of himself from 1970, taken from a show he played at The Troubadour in Los Angeles. So the two parts are still both sung in his voice, but 50 years apart. In this episode, the 200th episode of Song Exploder, Yusuf / Cat Stevens tells the story of how he created, and then re-created “Father & Son.”

For more, visit songexploder.net/yusuf-cat-stevens.

Yusuf / Cat Stevens - Father and Son

Today, we're sharing an episode of Nate DiMeo's wonderful podcast, The Memory Palace, which helped inspire both Song Exploder, and a song on my upcoming album. So today, I want to present a kind of two-part story. The first part: "The Thundering Herd, The Vanishing American," from The Memory Palace. And in the second half of the episode, I’ll tell you how it ended up unexpectedly unlocking a song that I’d been trying to figure out. 

For more episodes of The Memory Palace, visit thememorypalace.us. 

To pre-order my album visit keeledscales.com. To get tickets to one of my shows on tour, visit hrishikesh.co.

The Memory Palace: The Thundering Herd, The Vanishing American

Alynda Segarra is a singer songwriter from the Bronx. They formed Hurray for the Riff Raff in 2007, and since then, they’ve released 8 albums. Their most recent is The Past Is Still Alive, which came out in 2024. It was named one of the best albums of the year in the New York Times, the Associated Press, Entertainment Weekly, and The Atlantic, and Pitchfork called it one of the best albums of the decade so far. For this episode, I spoke to Alynda about the first track on the album, “Alibi.”

For more info, visit songexploder.net/hurray-for-the-riff-raff.

Hurray for the Riff Raff - Alibi

Jack Harlow is from Louisville, Kentucky, and started performing and releasing music in 2015, when he was in high school. In 2020, he released his first album, which went double platinum. He was nominated for a Grammy for Best Rap Performance. He’s had multiple number one hits across his first three albums. For his fourth album, Monica, which just came out in March 2026, he switched things up dramatically. I was curious how and why—how did someone who had so much success as a rapper approach a new way of making music? So for this episode, I spoke to Jack Harlow about the song “Say Hello,” which is the closing track on Monica.

For more info, visit songexploder.net/jack-harlow.

Jack Harlow - Say Hello

My guest today is Baz Luhrmann, the award-winning director whose films include Moulin Rouge!, Strictly Ballroom, The Great Gatsby, Elvis, and Romeo + Juliet. His newest film is EPiC: Elvis Presley in Concert, a critically acclaimed documentary about Elvis that’s playing right now in theaters and in IMAX. Before becoming a massively successful film director, Baz began his showbiz career as an actor, and as a ballroom dancer, in Australia. His first film was Strictly Ballroom, which came out in 1992, and became one of the highest-grossing Australian films of all time. It was originally a play, and there’s a song in the film that was part of the story all the way back when it was first performed on stage. And that’s what Baz and I talked about for this episode.

For more info, visit songexploder.net/baz-luhrmann.

Key Change: Baz Luhrmann on "Time After Time."

Thompson Twins originally formed in 1977 in Sheffield, in the UK. “Hold Me Now,” their iconic hit, came out as a single in November 1983, and eventually on their 1984 album, Into the Gap. That album went to number 1 in the UK and went platinum in the US. The song spent 21 weeks on the Billboard Hot 100 chart. So for this episode, I talked to the founding member of Thompson Twins, Tom Bailey, and he told me how he and his bandmates, Alannah Currie and Joe Leeway, made “Hold Me Now.”

For more info, visit songexploder.net/thompson-twins.

Thompson Twins - Hold Me Now

Silvana Estrada is a singer, songwriter, and producer from Veracruz, Mexico. She won the Latin Grammy for Best New Artist in 2022, and she’s been nominated for three others, including for her song “Como Un Pájaro,” which is the song that we talked about for this episode. It’s from her second album, which came out in 2025, but she started writing the song several years before that. So we talked about all the different versions of this song, and a couple of versions of Silvana herself, that emerged throughout the process.

For more info, visit songexploder.net/silvana-estrada.

Silvana Estrada - Como Un Pájaro

CHVRCHES is a trio from Glasgow, Scotland. In this episode, they break down the song "Clearest Blue," from their sophomore album Every Open Eye. You'll hear the band's original demo as well as why they start songs with a set of rules, but then quickly abandon those rules.

CHVRCHES - Clearest Blue

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