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Kliv in i en oändlig värld av stories

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BBC Radio 4

Producer and writer John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact behind the books, plays and stories that are being dramatised in Radio 4's weekend afternoon dramas.

Opening Lines

In the winter of 1847, the Star of the Sea sets sail from Ireland for New York. Among the refugees are a maidservant, a bankrupt aristocrat, an aspiring novelist and a maker of revolutionary ballads. It reads like a Victorian gothic novel, with murder and intrigue at its heart.

Star of the Sea by Joseph O’Connor was published in 2002 and attracted multiple plaudits as well as literary awards. O’Connor talks about the shocked response from his publishers when he proposed writing a novel about the Irish Famine and we learn how real facts are woven skilfully into fiction.

Novelist Colm Tóibín explains how there are elements of pastiche in Star of the Sea and how it’s written like a 19th century novel. He also states that, at a time when the Irish narrative was being re-imagined, even the great Irish playwrights such as Sean O’Casey didn’t write about the Famine.

At the heart of the story is the threatening figure of Pius Mulvey – the balladeer and adventurer. Known as ‘The Monster’, Mulvey stalks the decks of the ship like some kind of embodiment of the tragedy that has overtaken the old country. We hear about the tragic and human stories within this novel into which O’Connor is also able weave humour and a propulsive narrative.

John Yorke explains that the skill of this novel is that, with the aid of eyewitness accounts, historical documents, letters home, passenger manifests and Captain’s logs, O’Connor unravels the extraordinary relationships at the book’s heart by re-stitching them into a grander tapestry – that of a terrible horror, long hidden, central to a nation’s heart.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: 
Colm Tóibín, bestselling writer

Extracts from:
The Arts Show, BBC Radio Ulster with Marie Louise Muir, 16 August 2007
Reading from Star of the Sea by Peter Marinker, from the audiobook of the same title published by W.F. Howes Ltd, 2011

Star of the Sea published in 2002 by Secker and Warburg

Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple
Producer: Belinda Naylor
Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

Star of the Sea

John Yorke looks at the background to A Short History of Tractors in Ukrainian and assesses the appeal of this worldwide best seller by Marina Lewycka. Two feuding sisters unite to thwart their newly widowed father’s impending marriage to Valentina - a voluptuous gold-digger from Ukraine who loves green satin underwear and boil-in-the-bag cuisine and who’ll stop at nothing in her single-minded pursuit of the luxurious Western lifestyle she dreams of.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: 
Professor Andrew Wilson, Professor of Ukrainian studies at University College London and author of ‘The Ukrainians’

Archive:
Radio 4 – Marina Lewycka on 'Book Club', 8th January 2015

Readings from A Short History of Tractors in Ukrainian: Marina Lewycka (Penguin Essentials, 71), 2017

Reader: Janet Ellis
Producer: Alison Vernon-Smith
Sound: Sean Kerwin
Researcher Henry Tydeman
Production Hub Coordinator: Nina Semple
Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

A Short History of Tractors in Ukrainian

John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.

It’s 1903 and Liubov Andryeevna Ranyevskaya has returned to the family estate in southern Russia. As the head of this aristocratic household she faces a dilemma. The family is in serious financial difficulty and they have the choice of either selling the entire estate, or accepting the proposal of local businessman, Lopakhin, to cut down their beloved cherry orchard to make way for holiday homes and use the money to pay their debts. 

In the second of two episodes, John looks at how Chekhov’s use of ambiguity, his skilful combination of comic and tragic elements, and his rejection of naturalism represent a departure from his previous work and were to prove so influential in the development of 20th century theatre.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Contributors:
Simon Russell Beale, whose long and distinguished acting career has seen him play many roles, including his performance as Lopakhin in a 2009 production of The Cherry Orchard at the Brooklyn Academy of Music. He also won an Olivier Award for his performance as Uncle Vanya in 2003.
Rosamund Bartlett, a cultural historian with expertise in Russian literature, music, and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters.
Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024.

Reader: Torquil MacLeod
Closing music: Torquil MacLeod
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple 
Producer: Torquil MacLeod
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

The Cherry Orchard - Episode Two

John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.

It’s 1903 and Liubov Andryeevna Ranyevskaya is returning to the family estate in southern Russia. As the head of this aristocratic household, she faces a crisis. The family is in serious financial difficulty and it seems inevitable that the estate will have to be sold to pay their debts. A local businessman, Lopakhin, offers a solution, but it would mean the loss of their beloved cherry orchard. 

In this first of two episodes, the focus is on these two main protagonists, who embody the tensions between the old aristocracy and the emerging merchant class, and the student Trofimov whose revolutionary ideas point prophetically towards the path that Russia was soon to take.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors:
Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024
Rosamund Bartlett, a cultural historian with expertise in Russian literature, music and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters.

Excerpt taken from the BBC Radio 3/Palimpsest production of The Cherry Orchard, directed by Toby Swift, with Neil Dudgeon as Lopakhin and Saffron Coomber as Dunyasha. It was first broadcast on Radio 3 on 18th November 2018.

Music: Torquil MacLeod
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple 
Producer: Torquil MacLeod 
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

The Cherry Orchard - Episode One

Charles Darwin’s ideas changed our understanding of the world perhaps more than those of any other British scholar. His famous voyage on HMS Beagle ended in 1836, and he had developed his findings into his theories on evolution and natural selection within six years. It was not, however, until 1859 that he shared these revolutionary ideas with the public in On The Origin of Species, a book far different to the one he had intended to write. 

In this episode of Opening Lines, John Yorke examines what finally led Darwin to write this pioneering work of popular science, and the impact it had upon his contemporaries. 

The programme features evolutionary biologist Dr Tori Herridge of the University of Sheffield. 

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Clip of Andrew Marr from ‘Great Britons: Darwin’ BBC2 (2002)

Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple
Producer: Geoff Bird
Reader: Paul Dodgson
Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

On the Origin of Species

John Yorke looks at Treasure Island, the great swash-buckling adventure by Robert Louis Stevenson that inspired almost every pirate tale to follow. 

Stevenson wrote the story to amuse his stepson on a wet holiday in the Scottish Highlands, with the original title The Sea Cook. Looking back at his time as a boy, narrator Jim Hawkins recounts his thrilling adventures on land and at sea in the pursuit of buried treasure, and we discover that the sea cook is none other than archetypal pirate Long John Silver, one-legged and with a parrot on his shoulder, one of Stevenson’s great literary creations.

John Yorke argues that Treasure Island has a profound and lasting impact even in the age of Minecraft, Reality TV and YouTube length dramas, and in this episode of Opening Lines he will explain why.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor:
Louise Welsh, author and Professor of Creative Writing, Glasgow University

Extracts from:
Michael Morpurgo, Twice Upon a Time podcast produced by Hat Trick Productions Ltd, 2022
Claire Harman, BBC Radio 4’s Great Lives, 2005

Reader: Crawford Logan
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple
Producer: Mark Rickards
Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

Treasure Island

In the months that followed the end of the Second World War, very few people in the West knew the true power of the atomic weaponry that had forced the Japanese surrender. John Hersey’s article Hiroshima would change that.

Released a year after the bombs were dropped, the New Yorker piece was journalistic dynamite and sold out in hours. Published in one instalment - taking up the whole edition of the magazine - Hersey’s meticulous and unflinching account of what happened after the atom bomb detonated brought home the horror of atomic weaponry to the world and changed journalism in the process. 

John Yorke speaks to Janine di Giovanni, award winning war reporter and founder of The Reckoning Project (a war crimes unit that operates in Ukraine and the Middle East) about how pivotal the article was and how it impacts her work today.

John has worked in television and radio for 30 years, and shares his experience with listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors:
Janine di Giovanni, war reporter and founder of The Reckoning Project.
David Remnick, editor of the New Yorker
John Hersey, author

Archive: 
The David Remnick audio, and the John Hersey interview (taken from the American Audio Prose Library interview conducted by Kay Bonetti Callison, 1988) were both originally broadcast as part of Hersey’s Hiroshima produced by Dora Productions Ltd, BBC Radio 4 2016.

Reader: Riley Neldam
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Nina Semple
Producer: Tolly Robinson
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Hiroshima

John Yorke takes a look at The Girls of Slender Means by Muriel Spark. Published in 1963, two years after the success of The Prime of Miss Jean Brodie, it’s set in the summer of 1945. A group of young women live, love and lodge together in the shabby but respectable May of Teck Club in the months between VE Day and the ending of the war 99 days later with the final victory in Japan. 

It’s a riveting yet disconcerting read - simple, yet knotty and complex, and it’s not at all about what it seems. With contributions from the writer AL Kennedy, John explores the pleasures of this short yet wonderfully satisfying novella.

John has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: A.L. Kennedy

Reader: Ruth Sillers
Producer: Laura Grimshaw
Executive Producer: Sara Davies
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Co-ordinator: Nina Semple

A Pier production for BBC Radio 4

The Girls of Slender Means

John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.

When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. He banishes his faithful youngest daughter, Cordelia, while his two elder daughters, Goneril and Regan, who declared their undying love for their father, bar their doors to him. Driven mad by fury, Lear wanders a barren heath in the midst of a storm with only his Fool for company. 

In this second of two episodes, John looks at the loyal but provocative character of the Fool. He also discovers that, since the 17th century, critics including Samuel Johnson have struggled with the play’s remorseless cruelty and the bleakness of its ending.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors:
Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018.
Dr Genevieve von Lob, clinical psychologist who specialises in family therapy.
Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.

Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.

Sound: Sean Kerwin
Music: Torquil MacLeod
Researcher: Henry Tydeman
Production Coordinator: Nina Semple
Producer: Torquil MacLeod
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

King Lear - Episode Two

John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.

When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. In this first of two episodes, the focus is on the fractured relationship between Lear and his daughters – Goneril, Regan and Cordelia – and on the subplot that involves the breakdown of another family. This comprises the Duke of Gloucester and his two sons Edmund and Edgar. In both cases the fathers are incapable of seeing which child is deceiving them and which child is loyal and truly loves them.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Contributors:
Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018.
Dr Genevieve von Lob, clinical psychologist who specialises in family therapy.
Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.

Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.

Sound: Sean Kerwin
Music: Torquil MacLeod
Researcher: Henry Tydeman
Production Coordinator: Nina Semple 
Producer: Torquil MacLeod
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

King Lear - Episode One

John Yorke looks at CS Lewis’s novel That Hideous Strength, the third in a trilogy of science fiction works. Published in the aftermath of the Second World War, it offers a bleak vision of a world where unchecked scientific research is masking much more sinister aims. A couple, Jane and Mark Studdock, are set on different paths, both threatened by external and internal forces on a dark journey into a dystopian future.

In this episode, John examines the key themes in That Hideous Strength and finds the unique blend of mythology and science fiction which permeates this complex novel.

John Yorke has worked in television and radio for 30 years, and he shares his experience with listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production, he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors:
Professor Robert Maslen, University of Glasgow
AN Wilson, author of CS Lewis A Biography

Readings: Matthew Gravelle
Sound: Sean Kerwin
Production Hub Coordinator: Nina Semple
Producer: Mark Rickards
Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

That Hideous Strength - Episode 1

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