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Hlustaðu og lestu

BBC Radio 4


Weekly discussion programme, setting the cultural agenda every Monday


Start the Week

How has life online reshaped society in real life? On Radio 4's weekly discussion programme, Tom Sutcliffe is joined by 3 guests who are investigating the digital sphere, and in some cases resisting its ubiquity.

The filmmaker Baroness Beeban Kidron exposes how digital platforms exploit and divide in her book, Users: How Big Tech Took Control and How to Fight Back. She argues for more political and civic action to counter their unchecked influence. 

The business journalist Katherine Dunn explores how GPS shapes so many aspects of everyday life, from dating and supermarket shopping to global trade and navigation. In Little Blue Dot she also reveals the hidden fragility of this technology. 

The Indian novelist Meena Kandasamy talks about Fieldwork as a Sex Object, a fierce exploration of online misogyny, deepfakes and digital mob violence, where the internet’s political and cultural conflicts spill into the real world with devastating consequences.

Producer: Katy Hickman

Start the Week returns after our summer break on Monday 7th September.

Life Online: Power, Risk and Resistance

What has happened to working-class identity in Britain? On Radio 4's weekly discussion programme, Adam Rutherford explores the political fractures within families and communities.

Nicola Wilding discusses These Wild English: A Family, a Class, a Country on Fire, tracing three generations of her family and the pull of belonging, nationalism and far-right politics amid economic decline. 

Natasha Carthew draws on her personal experience of growing up poor in Cornwall in her latest work. Rough Edges brings to light the inequalities shaping coastal communities, where austerity, second homes and seasonal work deepen divisions and marginalisation. 

The poet Daljit Nagra reflects on his upbringing in a predominantly white working-class town for his latest collection, Yiewsley, exploring race, migration and the cultural shifts that have reshaped Britain from the post-war years to the present.

Producer: Katy Hickman

Working-Class Lives: Identity and Political Fractures

How have we made discoveries about the world around us and how has our understanding changed when we got it wrong? Adam Rutherford hosts Radio 4's discussion programme which starts the week, asking about the the nature of scientific discovery, understanding and changing our mind. 

Andrea Wulf's latest book is The Traveller: The Revolutionary Life of George Forster and his Search for Humanity. She has reassessed the botanist and ethnologist who accompanied Captain Cook's second voyage, taking him from Antarctica to the tropical islands of the South Pacific. During this time, Forster studied diverse people, culture and nature and returned a confirmed opponent of empire, racism and slavery: he was celebrated in his lifetime, but has since been largely forgotten by history. 

The geneticist Kathryn Paige Harden argues that the latest research complicates our ideas about blame, punishment and moral responsibility. In her new book Original Sin: The Genetics of Wrongdoing, the Problem of Blame and the Future of Forgiveness, she looks at the area where human behaviour meets inherited biology. She thinks we must look again at questions of wrong doing and free will, reassessing old ideas of guilt and accountability. 

We are all hormonal all of the time, because to be hormonal is to be human says Saira Hameed, a leading endocrinologist. Hormones are the often misunderstood signalling system that makes our bodies function which she explain in her new book, Signals: The Inside Story of Our Hormones, separating medical breakthroughs from the obsessions of wellness influencers. 

Producer: Ruth Watts

Scientific discovery and misunderstanding

What are the biggest problems facing the economy - and how might we set about dealing with them - from inequality to inflation, domestic growth to geopolitics? On Radio 4's weekly discussion programme, setting the cultural agenda every Monday, Tom Sutcliffe leads a conversation exploring what the solutions might look like.

Jeremy Hunt’s new book Can We Be Rich Again?: The Surprising Potential of Britain's Economy makes the case for optimism. The former Chancellor of the Exchequer outlines current problems – low growth, high public debt and taxes, stagnant living standards and divided politics, but he argues Britain still has a lot going for it - the tech sector, financial services and respected institutions. He says if the British economy is to grow again, politicians need to get better at delivering their plans.

Mariana Mazzucato believes we need to rethink the way we manage economics with government and business working together to promote human flourishing. For her, the problems are deepening inequality, the climate crisis and declining public trust. She is Professor in the Economics of Innovation and Public Value at University College, London where she is the Founding Director of the Institute for Innovation and Public Purpose. Her new book The Common Good Economy: A New Compass sets out how the economy could be designed to serve people and the planet better.

And, how has the way that we think and talk about the global economy and national problems changed in recent years? Patrick Foulis is contributing editor at the Financial Times, a visiting scholar at the Hoover Institution and author of a forthcoming book on globalisation. 

Producer: Ruth Watts

Searching for economic solutions

In front of an audience at the Hay Festival, Tom Sutcliffe hosts Radio 4's discussion programme which starts the week, bringing together three thinkers who each, in different ways, examine the stories societies tell about themselves, and how those stories become enduring myths.

Historian Antony Beevor investigates the life of Rasputin, a figure who has long hovered between fact and legend. His new work asks how a barely literate peasant from Siberia, the so-called ‘mad monk’, managed to bewitch the Romanovs, and how the wild stories that swirled around him, inexorably led to the Tsar’s downfall. 

Philosopher Susan Neiman turns to the moral narratives that underpin contemporary political life. Her work asks whether universal values can still guide societies when myths of division are so compelling.

Classicist, broadcaster and performer Natalie Haynes brings the ancient world into sharp modern focus. Her retellings of Greek myths restore voice and agency to characters, particularly women, who have been sidelined or simplified by centuries of interpretation. Her latest novel, No Friend to This House, puts the abandoned Medea centre stage.

Producer: Katy Hickman

Mythmaking at Hay: from Medea to Rasputin

What is the future of farming and rural life? Adam Rutherford hosts Radio 4's discussion programme which starts the week, asking about the future of food production and the communities that support it. 

Minette Batters was the first female president of the National Farmers’ Union. Born and raised on the family farm that she took over running, she became a committed advocate for the UK farming industry. UK agriculture has faced challenges from Brexit, Covid as well as international conflict and energy crises. Her new book, Harvest, part memoir and manifesto, makes a case for how and why we must rally to support British farming and rural life. 

Dave Goulson is Professor of Biology at the University of Sussex. Modern, intensive farming systems producing pesticide-laced foods at scale, he says, are bad for us and bad for the planet. He believes that it is time to change the way we produce food today, making the case for sustainable agriculture. In Eat the Planet Well he argues that consumers can lead this change, even where governments fail to act. 

Melissa Harrison has written columns, nature diaries, a series of novels and non fiction books including All Among the Barley, Rain and At Hawthorn Time, and a book for children. Her latest novel, The Given World, is a portrait of rural society, village life and the English countryside which explores a way of life, exploring social tension and the rhythms of the natural world. 

Producer: Ruth Watts
Assistant Producer: Emily Channon

Farming, food production and rural life

What can an art exhibition, a concert hall and Classical town tell us about twentieth century German history? On Radio 4's weekly discussion programme, setting the cultural agenda every Monday, Samira Ahmed leads a conversation exploring what inter-war Weimar, the Nazi's obsession with so-called 'degenerate art' and the programming of German music at the Wigmore Hall in London reveal about the course of German history and our responses to it. 

Katja Hoyer's last book, Beyond the Wall was a history of East Germany which concentrated on the consequences the Nazi rule and the Second World War. Now the Anglo-German Historian has turned her attention to Weimar, the town that gave its name to the ambitious republic whose failure paved the way to Nazism. Looking at the stories of a series of varied individuals, she asks how a nation that prided itself on its culture and civility enabled Nazism and why it haunts us to this day because we fear a repeat. Weimar: Life on the Edge of Catastrophe is BBC Radio 4's Book of the Week for a fortnight.

Art historian John-Paul Stonard's new book is The Worst Exhibition in the World: Degenerate Art, 1937. The exhibition of Entartete Kunst ('degenerate art') was held in the Hofgarten arcade in Munich in the summer of 1937. Just a few weeks earlier, the same paintings and sculptures by modern German artists had been on display in some of the most prestigious museums in Germany. An extensive propaganda campaign of confiscation and defamation by the Nazis saw the condemnation of works by Jews, Bolsheviks and the enemies of the German Reich. It remains one of the most visited exhibitions ever - and it shaped views of modern art well into the second half of the twentieth century.

Julia Boyd's There is Sweet Music Here: The World of Wigmore Hall tells the story of London's privately run music venue. During the Second World War it was possible for audiences to hear exiled German and Austrian Jewish musicians playing Beethoven among a wide range of recitals. Other concerts programmed included Entartete Musik (forbidden or so-called 'degenerate Music’), including the banned composer Gustav Mahler. 

Producer: Ruth Watts

German history

What happens when art, fiction and biography take us to places that unsettle, reorient and transform our sense of the world? On Radio 4’s weekly discussion programme, Naomi Alderman moves from science fiction and land art to the landscape of the mind.

Pioneering multimedia artist and musician Laurie Anderson discusses The Republic of Love, which she is performing at the Brighton Festival on 6th May. It’s an immersive multi-sensory experience, in which she reinterprets past pieces, including her 80s hit Big Science, to illuminate the political and emotional strangeness of the present moment. (Her new album, Let X=X is released on May 8, 2026)

Writer Nina Allan reflects on co-authoring The Illuminated Man, the biography her late husband, the novelist Christopher Priest, had started about J. G. Ballard. She explores Ballard’s singular imagination, shaped by wartime internment in Shanghai, and his repeated motifs of flooded cities, drained swimming pools, and the violence seeping through gated communities seen in books including Empire of the Sun, Crash and The Drowned World. 

Art historian Joy Sleeman introduces the first major UK exhibition devoted to the American artist Nancy Holt, MoonSunStarEarthSkyWater, at the Goodwood Art Foundation (until November 2026). She reveals how Holt’s land art, from her 18 feet long concrete Sun Tunnels to a posthumous installation Hydra’s Head, invites viewers into cosmic and elemental landscapes where art and the environment meet.

Producer: Katy Hickman
Assistant Producer: Natalia Fernandez

Laurie Anderson: Strange and Disorientating Landscapes

What can chemistry reveal about what it means to be human? On Radio 4’s weekly conversation programme, Tom Sutcliffe leads a conversation that ranges from the molecules within us to the experimental pioneers who transformed our understanding of the material world.

Professor Dame Ijeoma Uchegbu discusses Chain Reaction, her vivid and deeply personal journey into the chemistry underpinning everything we touch, consume and inhabit. She brings to life the chemical bonds that hold our bodies together and the reactions that sustain all life, while recounting her own story, from childhood in post war Nigeria to a groundbreaking career designing treatments for blindness.

Science historian Kit Chapman introduces The Age of Alchemy, tracing the long, global evolution of chemistry before it became a modern science. Travelling from ancient Sri Lankan steel forges to Egyptian alchemical texts and Chinese herbal laboratories, he reveals how early experimenters, merging mysticism, medicine and metallurgy, laid crucial foundations for scientific method and discovery.

Professor Mark Miodownik set up the Institute for Making at University College London and is Royal Society Professor of Public Engagement with Science. He is a leading materials scientist who has led work on plastic waste and biodegradable plastics. He discusses the latest research on the chemical composition of the things we are making, and the things we throw away. 

Producer: Ruth Watts

Chemical Reactions

What can the things we create, keep and bury tell us about who we are? On Radio 4's weekly discussion programme, Adam Rutherford explores material culture – the power of objects you can touch – and how they connect us to the past.

Classicist Mary Beard discusses her book Talking Classics: The Shock of the Old, arguing that everyday remnants of antiquity, from bread to paint pots abandoned at Pompeii, still matter. And that Ancient Greece and Rome continue to shape how we see our own world.

Theatre director Greg Doran set himself the task of tracking down the surviving copies of Shakespeare’s First folio, after the death of his husband the actor Antony Sher. He recounts his worldwide quest in Walking Shadow: Love, Loss and Shakespeare, which also reveals the importance of the enduring physical presence of Shakespeare’s work.

Dr Sophia Adams, curator at the British Museum, discusses the extraordinary Melsonby Hoard, the largest collection of Iron Age metalwork ever found in Britain, and what its burnt and buried objects reveal about power, ritual and life before the Roman conquest. The exhibition, Chariots, Treasure and Power: Secrets of the Melsonby Hoard, will go on display at the Yorkshire Museum, York from 15th May 2026.

Producer: Katy Hickman

Assistant Producer: Natalia Fernandez

Why Stuff Matters: Objects, Power and the Past

Westminster Abbey has been a place of worship for more than a thousand years, and holds a unique place in British – and world – history. In a special edition of Start the Week, recorded in the Abbey, the historian David Cannadine tells Andrew Marr how the building has been at the centre of religious and political revolutions and has maintained a special relationship with the monarchy and the royal court since the Tudor times.

It was Henry VIII who converted the abbey into a cathedral, turning this Catholic monastery into a bastion of Anglicanism, before it became directly under the monarch’s control. The historian Lucy Worsley looks back to the 16th century to recreate how Christmas was celebrated during the age of Henry VIII. The Tudor Christmas pre-dates our traditional trees and stockings. But with its heady mix of revelry and religion she discovers the Tudor influences on the customs we still enjoy today.

The former Bishop of Oxford Richard Harries explores the impact and pull of religion on some of the greatest writers of the 20th century. In ‘Haunted by Christ’ he studies how writers, like TS Elliot, CS Lewis and Emily Dickinson struggled with their faith. He looks deeply into the spiritual dimension of their work.

Music:
Coventry Carol - Traditional melody (performed by Truro Cathedral Choir)
Pastyme with Good Companye - King Henry VIII (I Fagiolini)

Producer: Katy Hickman

Westminster Abbey

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