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The Deadliest Massacres of the Indian Wars: The History of the U.S. Army’s Worst Attacks on Native Americans in the 19th Century

Süre
4sa 32dk
Dil
İngilizce
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Kategori

Tarih

From the “Trail of Tears” to Wounded Knee and Little Bighorn, the narrative of American history is incomplete without the inclusion of the Native Americans that lived on the continent before European settlers arrived in the 16th and 17th centuries. Since the first contact between natives and settlers, tribes like the Sioux, Cherokee, and Navajo have both fascinated and perplexed outsiders with their history, language, and culture.

The Shoshone are still remembered for their assistance, especially Sacagawea, and they maintained contact with Americans throughout the 19th century, but unfortunately, the cooperation gave way to conflict as white settlers began to move westward and enter onto lands occupied by the Shoshone.

On the morning of November 29, 1864, Colonel John Chivington led 700 militiamen in a surprise attack against Cheyenne leader Black Kettle's camp at Sand Creek. Chivington was a fire and brimstone Methodist minister who had publicly advocated indiscriminately killing Native American children because “nits makes lice.” According to Cheyenne oral tradition and several surviving soldiers' accounts, as soon as Black Kettle saw Chivington’s men coming, he raised an American flag on a pole and waved it back and forth calling out that his Wutapai band was not resisting. Ignoring his cries for mercy, the soldiers commenced firing, cutting down an estimated 70-200 Cheyenne, about two-thirds of whom were women and children.

Among all the events in the strained relations between the U.S. government and Native Americans during the 19th century, the most notorious and defining one was what is today called the Wounded Knee Massacre. Technically, it was the last armed engagement between Sioux warriors and the U.S. military, and it marked the end of effective resistance by any Sioux bands, but what actually occurred is far more controversial.

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